{"id":1088,"date":"2023-10-16T10:18:00","date_gmt":"2023-10-16T10:18:00","guid":{"rendered":"https:\/\/ejalbum.com\/ejalbum3\/?p=1088"},"modified":"2026-02-04T13:51:45","modified_gmt":"2026-02-04T13:51:45","slug":"pressura-ekspozite-nomade","status":"publish","type":"post","link":"https:\/\/ejalbum.com\/sq\/pressura-ekspozite-nomade\/","title":{"rendered":"PRESSURA 2023 \u2013 EKSPOZIT\u00cb NOMADE"},"content":{"rendered":"

EKSPOZIT\u00cb NOMADE<\/em><\/strong><\/h1>\n\n\n\n
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Presura <\/strong>\u00ebsht\u00eb nj\u00eb koloni nomade artist\u00ebsh dedikuar fotografis\u00eb sociale. Fotograf\u00ebt apo artist\u00ebt e angazhuar n\u00eb projekt, zhvillojn\u00eb nj\u00eb sens thell\u00ebsisht t\u00eb orientuar drejt narracionit (storytelling) si nj\u00eb mjet sa antik aq edhe modern, p\u00ebr t\u00eb treguar realitetin shpeshher\u00eb kompleks t\u00eb rajonit ton\u00eb, si edhe t\u00eb luftojn\u00eb dizinformimin publik duke autentifikuar realitetin sipas etik\u00ebs dhe nd\u00ebrgjegjes s\u00eb tyre. Me tej, duke krijuar nj\u00eb ambjent me karakter t\u00eb thell\u00eb formativ por nj\u00ebkoh\u00ebsisht duke favorizuar shk\u00ebmbimin kultural dhe profesional mes fotograf\u00ebve \u2013 me q\u00ebllimin p\u00ebr t\u00eb forcuar shpirtin kritik t\u00eb tyre \u2013 Presura<\/strong> ka ambicien t\u00eb b\u00ebhet nj\u00eb l\u00ebvizje e mir\u00ebfillt\u00eb artistike dhe etike dhe t\u00eb ndihmoj\u00eb k\u00ebt\u00eb klas\u00eb profesionist\u00ebsh t\u00eb orientohet drejt fotografis\u00eb sociale \u2013 si nj\u00eb sensibilitet artistik dhe nj\u00eb q\u00ebndrim drejt realitetit historik social bashk\u00ebkohor. Presura <\/strong>\u00ebsht\u00eb nj\u00eb urgjenc\u00eb e artit shqiptar p\u00ebr t\u00eb zhvilluar premisat p\u00ebr krijimin e nj\u00eb fotogazetarie t\u00eb prirur jo vet\u00ebm drejt lajmit, por drejt kontekstualizimit t\u00eb tij dhe analiz\u00ebs autoriale.<\/p>\n\n\n\n

Fotogazetaria shqiptare ka q\u00ebn\u00eb nd\u00ebr shprehit\u00eb artistike m\u00eb t\u00eb n\u00ebnshtruara dhe p\u00ebrdorura nga pushteti diktatorial dhe pothuaj vet\u00ebm shprehi e propagand\u00ebs s\u00eb saj. E m\u00eb tej ky sektor i gazetaris\u00eb por edhe i artit shqiptar ka vuajtur dhe vazhdon t\u00eb vuaj\u00eb nj\u00eb izolim t\u00eb thelle ndaj bot\u00ebs per\u00ebndimore, n\u00eb nivele shk\u00ebmbimi idesh, eksperience, praktike etj. Buxhetet e reduktuara editoriale, r\u00ebnia e besimit tek shtypi, kontrolli i tij prej pushtetit, rritja e rrezikut t\u00eb fotogazetar\u00ebve duke u kthyer n\u00eb objektiva n\u00ebper ngjarje apo konflikte, kjo prej nevoj\u00ebs s\u00eb rritur p\u00ebr konsum imazhesh \u201cspot\u201d, r\u00ebnia e interesit p\u00ebr lajme (apatia e publikut) dhe rritja e tij p\u00ebr t\u00eb ashtuquajturin \u201cgossip\u201d, rrjetet sociale dhe rritja eksponenciale e imazheve n\u00eb to, jan\u00eb vet\u00ebm disa nga faktor\u00ebt q\u00eb rrezikojn\u00eb t\u00eb ardhmen e fotogazetaris\u00eb, sidomos n\u00eb trevat tona ku mungojn\u00eb krejt\u00ebsisht amortizator\u00ebt social\u00eb-kulturor\u00eb ndaj k\u00ebtyre goditjeve si dhe p\u00ebrvoja n\u00eb p\u00ebrballimin e tyre. T\u00eb gjitha k\u00ebto, ndikojn\u00eb m\u00eb tej n\u00eb m\u00ebnyr\u00eb direkte dhe indirekte edhe n\u00eb problematika konkrete t\u00eb p\u00ebrditshme t\u00eb cilat c\u00ebnojn\u00eb vet\u00eb shoq\u00ebrin\u00eb ton\u00eb n\u00eb t\u00eb sotmen, ruajtjen e Kujtes\u00ebs Kolektive dhe integrimin e shoqeris\u00eb shqiptare n\u00eb at\u00eb euroatlantike n\u00eb t\u00eb ardhmen.<\/p>\n\n\n\n

Ekspozita<\/strong><\/em> n\u00eb vetvete synon pik\u00ebrisht ti tregoj\u00eb publikut lokal q\u00eb fotografia mund t\u00eb kthehet n\u00eb nj\u00eb form\u00eb shpreh\u00ebse e fuqishme e realitetit social dhe nj\u00eb katalizator i debatit publik, n\u00ebp\u00ebrmjet historive q\u00eb tregojn\u00eb konditat humane, nevojat, dramat por edhe kompleksitetin e m\u00ebnyr\u00ebs s\u00eb jetes\u00ebs n\u00eb k\u00ebto treva. N\u00eb k\u00ebt\u00eb priz\u00ebm, kjo ekspozit\u00eb nuk i kushtohet vet\u00ebm fotograf\u00ebve apo sken\u00ebs s\u00eb artit por t\u00eb gjith\u00eb publikut dhe sidomos hap\u00ebsir\u00ebs s\u00eb mendimit t\u00eb lir\u00eb e t\u00eb pavarur. Pjesmarrja e fotograf\u00ebve n\u00eb k\u00ebt\u00eb koloni nomade \u2013 n\u00eb nj\u00eb rrug\u00ebtim t\u00eb p\u00ebrbashk\u00ebt mes tyre, organizator\u00ebve, lektor\u00ebve dhe t\u00eb ftuarve, ku rezultatet e pritshme t\u00eb k\u00ebsaj nd\u00ebrhyrje publike me karakter t\u00eb thell\u00eb artistik duhet t\u00eb shihen domozdoshm\u00ebrisht edhe si tentativ\u00eb n\u00eb frenimin e shtremb\u00ebrimit t\u00eb vazhduesh\u00ebm t\u00eb informacionit dhe kthimin e fotografis\u00eb n\u00eb nj\u00eb burim t\u00eb besuesh\u00ebm informacioni n\u00eb vetvete.<\/p>\n\n\n\n

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Shtypi rreth ekspozit\u00ebs: Ekspozita \u201cPressura\u201d<\/a><\/p>\n\n\n\n

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Artist\u00eb pjesmarr\u00ebs n\u00eb ekspozit\u00eb:<\/h2>\n\n\n\n

David Cuka \/ Vlasov Sulaj \/ Korab Basha \/ Enza Rripaj \/ Vigan Demiri \/ Marsej Fu\u00e7ia \/ Majlinda Dedaj \/ Ber Abdulahi \/ Arben Alliaj \/ Bledar Hasimi<\/strong> \/ Anjeza Mema <\/strong><\/p>\n\n\n\n

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“999”<\/h1>\n\n\n\n

David Cuka <\/h2>\n\n\n\n
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David Cuka \u00ebsht\u00eb nj\u00eb artist shqiptar i cili ka zgjedhur mediumin e fotografis\u00eb p\u00ebr t\u00eb dokumentuar kryesisht aspekte q\u00eb lidhen me t\u00eb drejtat e njeriut. N\u00eb projektin \u201c999 Portrete\u201d ai e ka p\u00ebrqendruar objektivin e aparatit para personazheve duke i ftuar t\u00eb jen\u00eb vetvetja, pa b\u00ebr\u00eb kurrfar\u00eb diferencimi, n\u00eb asnj\u00eb aspekt. David Cuka ka zhvilluar dhe publikuar gjer\u00ebsisht pun\u00ebn e tij n\u00eb mediat vendase dhe europiane si dhe ka \u00e7elur disa ekspozita n\u00eb Shqip\u00ebri. Me an\u00eb t\u00eb fotografis\u00eb, artisti rrit dhe promovon nd\u00ebrgjegj\u00ebsimin mbi barazin\u00eb sociale, t\u00eb drejtat e grave, advokon kund\u00ebr diskriminimit t\u00eb komunitetit LGBTI+ n\u00eb vend e rajon, komunitet t\u00eb cilit ai vet\u00eb i p\u00ebrket, si person transgjinor.<\/p>\n\n\n\n

“Nd\u00ebrthurja e k\u00ebtyre portreteve vjen si nj\u00eb pun\u00eb n\u00eb vazhdim, mbas p\u00ebrfundimit me sukses t\u00eb seris\u00eb se par\u00eb –
realizuar prej nje afati kohor 4 vje\u00e7ar – me zanafill\u00ebn n\u00eb gusht t\u00eb vitit 2019 dhe duke mbaruar me nj\u00eb seri ekspozitash
me institucionet m\u00eb n\u00eb z\u00eb dhe me r\u00ebnd\u00ebsi n\u00eb Shqip\u00ebri n\u00eb tetor t\u00eb vitit 2022. K\u00ebto portrete vijn\u00eb si rrjedhoj\u00eb
e 3 serive t\u00eb reja t\u00eb nisura gjat\u00eb k\u00ebtij viti si nevoj\u00eb e nj\u00eb thellimi dhe p\u00ebr ti shkuar m\u00eb tej problematikave dhe
qasjeve te ndryshme te kohes qe jetojme aktualisht n\u00eb Shqip\u00ebri. K\u00ebshtu, fillova s\u00ebrish udh\u00ebtimin tim, nga veriu i
Shqiperise n\u00eb jug, nga minierat e Bulqizes n\u00eb fushat e Myqezes\u00eb. \u00c7do dallim n\u00eb portretin e secilit qe eshte
fokusuar ne kameren time sjell permes kesaj serie nje larmi, sjell problematikat, ndryshimet dhe menyrat sesi e
shikojm\u00eb ne Shqip\u00ebrin\u00eb dhe si \u00ebsht\u00eb ajo n\u00eb t\u00eb v\u00ebrtet\u00eb. Sjell padiskutim ballafaqimin mes te rinjve dhe moshes se
trete pa harruar dhe nje seri portretesh ku t\u00eb perfshihen te huajt nga cdo vend i botes p\u00ebr k\u00ebdo nuk ka mund\u00ebsi
t\u00eb sh\u00ebtisi n\u00eb keto vende dhe gjtihashtu sjell nj\u00eb ballafim artistik dhe kulturash t\u00eb ardhura p\u00ebrmes serise s\u00eb tret\u00eb
t\u00eb 999. A mundet nje portret ose disa seri fotografish ti percjelli te gjitha keto? Ashtu si jan\u00eb, pa filtra,
drejt\u00ebp\u00ebrdrejt\u00eb n\u00eb kamera, sy q\u00eb ikin – sy q\u00eb vijn\u00eb por q\u00eb mbesin dhe rr\u00ebnjosen ne Kujtes\u00ebn Kolektive shqiptare
edhe p\u00ebr t\u00eb krijuar nj\u00eb hap\u00ebsir\u00eb, p\u00ebr t\u00eb hapur nj\u00eb diskutim politik, shoq\u00ebror, artistik – permes nj\u00eb lenteje dhe nj\u00eb
aktivisti t\u00eb p\u00ebrndjekur dhe bullizuar nga shoq\u00ebria shqiptare – i paragjykuar vet\u00ebm p\u00ebr ekzistenc\u00ebn si artist
trasngjinor burr\u00eb, i vet\u00ebm n\u00eb nj\u00eb vend t\u00eb vogel si Shqip\u00ebria, ku t\u00eb qenit i lir\u00eb dhe artist kushton shum\u00eb.<\/p>\n\n\n\n

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AXHA ALI<\/h1>\n\n\n\n

Korab Basha<\/h2>\n\n\n\n
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Korab Basha ka lindur n\u00eb vitin 1984 n\u00eb Prishtin\u00eb, Kosov\u00eb ku ai edhe jeton dhe punon prej vitesh n\u00eb nj\u00eb prej t\u00eb p\u00ebrditshmeve m\u00eb t\u00eb njohura t\u00eb vendit. Diplomuar n\u00eb Institutin e Filmit dhe Fotografis\u00eb “Gjon Mili” n\u00eb Prishtin\u00eb, Korabi prej 15 vitesh \u00ebsht\u00eb nj\u00eb fotograf aktiv edhe n\u00eb sken\u00ebn artistike me mbi supe dy ekspozita personale dhe disa t\u00eb tjera
kolektive.<\/p>\n\n\n\n

“Prej koh\u00ebsh, gjat\u00eb takimeve t\u00eb shumta q\u00eb realizoj p\u00ebr pun\u00ebn time me personalitete t\u00eb ndryshme, p\u00ebrfshire ata
te sportit, kam takuar Ali Pllanen, shenj\u00ebtarin kampion t\u00eb ish Jugosllavis\u00eb, i cili n\u00eb rrefimin e historis\u00eb s\u00eb tij tregon
periudh\u00ebn e Luft\u00ebs s\u00eb Kosov\u00ebs, ku ai ka kontribuar si riparues i snajper\u00ebve t\u00eb U\u00c7K-s\u00eb dhe trajner i tyre, por duke
theksuar p\u00ebrher\u00eb se ai vet\u00eb asnj\u00ebher\u00eb nuk ka drejtuar nj\u00eb arm\u00eb n\u00eb drejtim t\u00eb dikujt. Sepse lufta b\u00ebhet edhe
k\u00ebshtu. Me mjetet e pun\u00ebs dhe dijen, eksperienc\u00ebn e nj\u00eb kampioni t\u00eb lindur t\u00eb sportit dhe nj\u00eb heroi t\u00eb heshtur.
Historia si sportist e Axha Ali lind rast\u00ebsisht n\u00eb nj\u00eb dit\u00eb t\u00eb larg\u00ebt t\u00eb vitit 1944 ku lufta e dyt\u00eb bot\u00ebrore nuk kishte
p\u00ebrfunduar akoma. Vellai i Aliut, Ramadan Pllana ishte duke pastruar pushk\u00ebn e tij luftarake M-48 kaliber 7.9
mm dhe duke par\u00eb kureshtjen e Aliut 5-vje\u00e7ar, ja jep atij t\u00eb shkrep\u00eb. Aliu, merr pushk\u00ebn dhe q\u00ebllon n\u00eb shenj\u00eb,
mbi pem\u00ebn e that\u00eb ku e kish porositur i v\u00ebllai. K\u00ebshtu lind karriera e tij sportive, me p\u00ebrkushtimin e tij Ali Pllana
u b\u00eb nj\u00eb kampion absolut i Sh\u00ebnjestaris\u00eb n\u00eb Jugosllavi duke fituar kampionate si p\u00ebr shembull n\u00eb Shkup m\u00eb 1962
n\u00eb qitje me 1×5 fishek\u00ebme pushk\u00eb M-48 n\u00eb 100 metra, n\u00eb Prishtin\u00eb ne 1969, Lubjan\u00eb m\u00eb 1978 apo Kragujevc
m\u00eb 1980 n\u00eb kategorit\u00eb 2×10 fishek\u00eb apo 3×120 fishek\u00eb me pushk\u00eb M-98 n\u00eb 100 apo 300 metra, n\u00eb Berat m\u00eb
1981 n\u00eb Qitje Olimpike me 1×40 fishek\u00eb me pushk\u00eb KV standart apo edhe n\u00eb qitje me pistolet\u00eb 25mm n\u00eb
Beograd m\u00eb 1980. M\u00eb tregon se pasi e larguan nga puna n\u00eb vitin 1989 kish vazhduar gjithsesi me qitjen,
kryesisht n\u00eb nj\u00eb far\u00eb organizimi ilegal t\u00eb saj n\u00eb Kosov\u00eb. N\u00eb vitet e luft\u00ebs, s\u00eb bashku me Hajrush Demaj, kan\u00eb
organizuar logjistik\u00ebn n\u00eb Serovc, Podujev\u00eb ku kan\u00eb trajnuar nj\u00eb grup ushtar\u00ebsh t\u00eb U\u00c7K t\u00eb cil\u00ebt nuk kishin pothuaj
fare njohuri mbi arm\u00ebn. Axha Ali \u00ebsht\u00eb rikthyer serish p\u00ebr t\u00eb ndihmuar at\u00eb nj\u00ebsi edhe duke riparuar arm\u00ebt apo
duke i kalibruar apo akorduar ato, sidomos snajperat p\u00ebr nj\u00eb distanc\u00eb prej 800 metrash qitje. Pyetjes time n\u00ebse
ai personalisht ka gjuajtur ndonj\u00ebher\u00eb me snajper n\u00eb drejtim t\u00eb ndonj\u00eb njeriu, Axha Ali i p\u00ebrgjigjet menj\u00ebher\u00eb:
JO!<\/p>\n\n\n\n

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RAST\u00cbSI<\/h1>\n\n\n\n

Enza Rripaj <\/h2>\n\n\n\n
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Enza Rripaj ka lindur n\u00eb vitin 1995 n\u00eb Shkod\u00ebr. Momentalisht jeton n\u00eb Tiran\u00eb ku edhe po studion n\u00eb Universitetin e Arteve, pran\u00eb Fakultetit t\u00eb Arteve t\u00eb Bukura n\u00eb deg\u00ebn Multimedia, master viti II. Krijimtaria artistike e saj bazohet mbi konceptin e koh\u00ebs dhe t\u00eb err\u00ebsir\u00ebs. Kryesisht punonj n\u00eb mediumin e videos, fotos, instalacionit, p\u00ebrfshir\u00eb k\u00ebtu edhe
shkrimin.<\/p>\n\n\n\n

“Fotografia \u00ebsht\u00eb nj\u00eb mjet kujtese dhe nj\u00eb mjet shum\u00eb i zakonsh\u00ebm mnemonik, e kjo \u00ebsht\u00eb nj\u00eb nd\u00ebr arsyet e
fotografis\u00eb familjare. T\u00eb shumta jan\u00eb familjet q\u00eb posedojn\u00eb s\u00eb paku disa fotografi, si: fotografi dasmash,
fotografi let\u00ebrnjoftimi, fotografi shkolle, etj. Funksioni i kujtes\u00ebs mund t\u00eb \u00e7oj\u00eb n\u00eb ruajtjen, si dhe n\u00eb shkat\u00ebrrimin
e fotografive. 12 fotografit\u00eb n\u00eb album jan\u00eb marr\u00eb nga nj\u00eb shirit filmi t\u00eb cilin e kam gjetur n\u00eb rrug\u00eb. Duksh\u00ebm
\u00ebsht\u00eb nj\u00eb das\u00ebm, le t\u00eb themi e vitit 2000, dhe n\u00eb k\u00ebt\u00eb pjes\u00eb t\u00eb filmit paraqitet momenti i marrjes s\u00eb nuses nga
sht\u00ebpia. Dihet se, ceremonia e marrjes s\u00eb nuses \u00ebsht\u00eb nj\u00eb nga pjes\u00ebt m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb dasm\u00ebs shqiptare,
tradit\u00eb e cila vazhdon ende sot. Ama, ajo q\u00eb i jep kuptim gjith\u00eb k\u00ebtij zhvillimi \u00ebsht\u00eb pik\u00ebnisja, momenti i gjetjes
s\u00eb filmit, i takimit t\u00eb koh\u00ebs sime me nj\u00eb koh\u00eb dhe nj\u00eb kontekst t\u00eb larg\u00ebt dhe t\u00eb huaj, tanim\u00eb i af\u00ebrt dhe i
personalizuar.”<\/p>\n\n\n\n

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I MYKUR <\/h1>\n\n\n\n

BER ABDULAHI<\/h2>\n\n\n\n
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Beri ka lindur n\u00eb Tetov\u00eb, n\u00eb Maqedonin\u00eb e Veriut n\u00eb vitin 2001, qytet ku edhe jeton, punon dhe studion p\u00ebr ekonomi, dega marketing por si\u00e7 e thot\u00eb edhe ai vet\u00eb, \u00ebsht\u00eb arti, kryesisht fotografia pasioni i tij m\u00eb i madh n\u00eb jet\u00eb.<\/p>\n\n\n\n

“Keqp\u00ebrdorimi i resurseve ushqimore \u00ebsht\u00eb nj\u00eb n\u00eb 10 problemet m\u00eb t\u00eb m\u00ebdha ekologjike n\u00eb shekullin XXI. Blerja e sasive t\u00eb panevojshme dhe gatimi i tep\u00ebrt jan\u00eb vet\u00ebm disa prej aspekteve t\u00eb k\u00ebtij problemi, por edhe grumbullimi pa nevoj\u00eb \u00ebsht\u00eb nj\u00eb form\u00eb e keqp\u00ebrdorimit q\u00eb praktikohet gjer\u00ebsisht nga shumica e njer\u00ebzve. Megjithat\u00eb, sa her\u00eb q\u00eb hulumtoj, myku m\u00eb d\u00ebrgon mesazhe me kuptime t\u00eb thella: p\u00ebrfundimi, mbarsja dhe q\u00ebndrimi i braktisur. N\u00eb an\u00ebn tjet\u00ebr, myku \u00ebsht\u00eb nj\u00eb fillim i mrekulluesh\u00ebm – nj\u00eb krijes\u00eb e privilegjuar, nj\u00eb lindje e pazakont\u00eb q\u00eb shpesh nuk
v\u00ebrehet. \u00cbsht\u00eb nj\u00eb fillim i ri, fillim prej zero, arsyet e ekzistenc\u00ebs dhe beneficiet e tij jan\u00eb shum\u00eb t\u00eb r\u00ebnd\u00ebsishme. Myku luan nj\u00eb rol t\u00eb posa\u00e7\u00ebm n\u00eb mbajtjen e balanc\u00ebs n\u00eb ekosistem. Ai ndihmon n\u00eb raz\u00ebmimin e materieve organike dhe reciklimin e tyre, duke ndihmuar n\u00eb mbajtjen e nj\u00eb mjedisi t\u00eb sh\u00ebndetsh\u00ebm p\u00ebr t\u00eb gjitha form\u00ebn e jet\u00ebs. Myku, ve\u00e7an\u00ebrisht lloji i njohur si Penicillium, \u00ebsht\u00eb baz\u00eb e shum\u00eb antibiotik\u00ebve t\u00eb p\u00ebrdorur n\u00eb mjek\u00ebsi p\u00ebr trajtimin e infeksioneve bakteriale. Ky zbulim i r\u00ebnd\u00ebsish\u00ebm ka shp\u00ebtuar shum\u00eb jete dhe ka ndihmuar n\u00eb luft\u00ebn kund\u00ebr s\u00ebmundjeve t\u00eb ndryshme. Ai \u00ebsht\u00eb p\u00ebrb\u00ebr\u00ebs kryesor n\u00eb shum\u00eb lloje t\u00eb djathrave t\u00eb famsh\u00ebm si Gorgonzola dhe Roquefort duke ju dh\u00ebn\u00eb shijen karakteristik\u00eb dhe arom\u00ebn e ve\u00e7ant\u00eb t\u00eb k\u00ebtyre produkteve gastronomike. Th\u00ebn\u00eb kjo, m\u00eb duhet t\u00eb theksoj se kur kam fotografuar ushqimet e mykura, nuk i kam keqshfryt\u00ebzuar resurset ushqimore, p\u00ebrkundrazi jan\u00eb p\u00ebrdorur me kujdes dhe n\u00eb momentet e duhura. N\u00eb disa raste, ushqimet q\u00eb jan\u00eb fotografuar kan\u00eb qen\u00eb t\u00eb hedhura, t\u00eb p\u00ebrdorura ose kan\u00eb qen\u00eb jasht\u00eb afatit t\u00eb p\u00ebrdorimit. Kjo ka ndihmuar t\u00eb mbaj\u00eb nj\u00ebgjendje t\u00eb p\u00ebrsosur p\u00ebr rritjen e myk\u00ebve. Procesi p\u00ebr t\u00eb zbatuar k\u00ebt\u00eb ide ka zgjatur mbi dy muaj dhe ka p\u00ebrfshir\u00eb mbi gjasht\u00ebmb\u00ebdhjet\u00eb lloje ushqimesh, t\u00eb cilat jan\u00ebfotografuar duke p\u00ebrdorur vet\u00ebm drit\u00ebn e diellit.”<\/p>\n\n\n\n

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VOYEUR<\/h1>\n\n\n\n

Anjeza Mema <\/h2>\n\n\n\n
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Anjeza Mema esht\u00eb nj\u00eb artiste e re shqiptare, lindur n\u00eb vitin 2002 n\u00eb Tiran\u00eb, qytet ku edhe jeton e punon.
Diplomuar n\u00eb deg\u00ebn piktur\u00eb grafike pran\u00eb Universitetit t\u00eb Arteve Tiran\u00eb, Fakulteti i Arteve t\u00eb Bukura, krahas
grafik\u00ebs dhe piktur\u00ebs, Anjeza punon me fotografine analogjike, kryesisht duke eksperimentuar me teknik\u00ebn
Polaroid apo fotografin\u00eb Instant. Teknika e p\u00ebrdorur nga Anjeza p\u00ebr projektin “Male Gaze” \u00ebsht\u00eb Transfer n\u00eb xham nga film Polaroid 600 . Fotografit\u00eb jan\u00eb autoportret iartistes.<\/p>\n\n\n\n

“Kam zgjedhur fenomenin e njohur me termin \u201cmale gaze\u201d sepse mendoj se \u00e7do grua apo vajz\u00eb e ka p\u00ebrjetuar
at\u00eb n\u00eb jet\u00ebn e saj. Edhe n\u00ebse dikush mendon se nuk \u00ebsht\u00eb prekur nga ky fenomen, ai \u00ebsht\u00eb gjithmone prezent
n\u00eb shoq\u00ebrin\u00eb ton\u00eb. Duke e trajtuar si teme, dua t\u00eb njoh publikun me efektin qe ka ky fenomen n\u00eb nd\u00ebrvet\u00ebdijen
kolektive. Jo si di\u00e7ka q\u00eb domosdoshmerisht mund te ndryshohet, por si di\u00e7ka q\u00eb duhet patjet\u00ebr t\u00eb njihet. Termi
\u201cmale gaze\u201d merr emrin nga regjisorja dhe teoricienia Laura Mulvey e cila n\u00eb vitin 1973, n\u00eb nj\u00eb hartim p\u00ebr
k\u00ebnaq\u00ebsine visuale dhe kinemane narrative analizon sesi gjinia mashkullore projekton fantazin\u00eb e saj mbi figur\u00ebn
fem\u00ebrore, me pamjen e saj t\u00eb p\u00ebrcaktuar p\u00ebr ndikim t\u00eb fort\u00eb vizual dhe erotik. Ky fenomen \u00ebsht\u00eb i pranish\u00ebm
edhe n\u00eb dit\u00ebt e sotme si nj\u00eb arketip pra i nd\u00ebrdijes kolektive. Shkrimtarja Margret Atwood p\u00ebrshkruan m\u00eb s\u00eb miri
ndjesin\u00eb e k\u00ebtij projektimi t\u00eb d\u00ebshirave dhe fantazive, objektivizimit q\u00eb \u00ebsht\u00eb b\u00ebr\u00eb nd\u00ebr vite n\u00eb subkoshienc\u00ebn e
grave dhe vajzave. Ajo shkruan n\u00eb romanin e saj \u201cThe Robber Bride\u201d m\u00eb 1993: – \u201cEdhe t\u00eb b\u00ebsh sikur nuk po
kujdesesh p\u00ebr fantazit\u00eb mashkullore \u00ebsht\u00eb nj\u00eb fantazi mashkullore; t\u00eb sillesh sikur je e padukshme, t\u00eb pretendosh
se ke nj\u00eb jet\u00eb t\u00ebnden. Ti je nj\u00eb grua me nj\u00eb burr\u00eb brenda teje duke v\u00ebshtruar nj\u00eb grua. Ti je v\u00ebshtruesi i vetes
tende.\u201d (\u201cYou are a woman with a man inside watching a woman. You are your own voyeur\u201d).<\/p>\n\n\n\n

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VIOLET<\/h1>\n\n\n\n

Bledar Hasimi<\/h2>\n\n\n\n
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Bledar Hasimi ka lindur n\u00eb vitin 1979 dhe aktualisht jeton dhe punon n\u00eb Tiran\u00eb. Fotograf profesionist prej m\u00eb shum\u00eb se 20 vitesh, me karrier\u00eb t\u00eb gjat\u00eb n\u00eb fotogazetari dhe fotografin\u00eb e eventeve. Bledar Hasimi studion p\u00ebr
Fotografi n\u00eb Fakultetin e Arteve t\u00eb Bukura t\u00eb Universitetit t\u00eb Arteve dhe \u00ebsht\u00eb i angazhuar n\u00eb projekte me \u00e7\u00ebshtje sociale n\u00eb bashk\u00ebpunim me OJF apo organizata t\u00eb ndryshmeshqiptare.<\/p>\n\n\n\n

Violet \u00ebsht\u00eb nj\u00eb modele profesioniste, “figur\u00eb e gjall\u00eb” si\u00e7 e quajn\u00eb student\u00ebt apo profesor\u00ebt n\u00eb Universitetin e
Arteve. Kush nuk ka frekuentuar nj\u00eb shkoll\u00eb arti, probabilisht nuk ka v\u00ebn\u00eb re asnj\u00ebher\u00eb nj\u00eb kategori t\u00eb till\u00eb
“punonj\u00ebsish”, t\u00eb cil\u00ebt jan\u00eb t\u00eb domozdosh\u00ebm p\u00ebr funksionimin e disa programeve q\u00eb varen kryesisht nga
prezenca e tyre n\u00eb atelier. Seanca t\u00eb gjata pozash, n\u00eb nj\u00eb ambjent pune ku raporti i gjinor nuk ka ndonj\u00eb dallim
t\u00eb madh nga realiteti, pjesa d\u00ebrrmuese e modeleve jan\u00eb femra ashtu sikur pjesa d\u00ebrrmuese e profesor\u00ebve jane
meshkuj. Tjet\u00ebr gj\u00eb student\u00ebt, t\u00eb cilet shpeshher\u00eb nuk thellohen n\u00eb k\u00ebt\u00eb kontradikt\u00eb q\u00eb ka t\u00eb b\u00ebj\u00eb me t\u00eb drejtat
elementare t\u00eb k\u00ebsaj kategorie punonj\u00ebsish. Ndonj\u00ebher\u00eb, me statizmin, palevizshm\u00ebrin\u00eb e saj, duket sikur Violet
nuk \u00ebsht\u00eb e gjall\u00eb – n\u00eb fund t\u00eb fundit, sa m\u00eb pak e gjall\u00eb t\u00eb jet\u00eb n\u00eb atelier, sa mue pak levizje, distraksion, aq m\u00eb
mir\u00eb \u00ebsht\u00eb p\u00ebr leksionin. Student\u00ebt dhe profesor\u00ebt, ka koh\u00eb q\u00eb e th\u00ebrrasin Xhulia, nj\u00eb em\u00ebr arti q\u00eb ja kan\u00eb v\u00ebn\u00eb
prej koh\u00ebsh sikur akoma m\u00eb shum\u00eb ta tejhuazojn\u00eb, jasht\u00eb atelierit Violet nuk i duhet m\u00eb nj\u00eb Universiteti Arti e n\u00eb
fakt nuk egziston ndonj\u00eb kontrat\u00eb pun\u00ebsimi mes dy pal\u00ebve edhe pse ajo ka tashm\u00eb 30 vjet q\u00eb i sh\u00ebrben
institucionit dhe artit shqiptar. Violet ka nj\u00eb shije t\u00eb holl\u00eb p\u00ebr veshjen dhe ngjyrat, ka 4 mace t\u00eb cilat i adhuron,
koh\u00ebt e fundit \u00ebsht\u00eb e dashuruar me nj\u00eb djal\u00eb dhe jeton vet\u00ebm.<\/p>\n\n\n\n

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USTA KADRIU<\/h1>\n\n\n\n

Vigan Demiri<\/h2>\n\n\n\n
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Vigan Demiri ka lindur n\u00eb vitin 1998 n\u00eb Maqedonin\u00eb e Veriut dhe \u00ebsht\u00eb diplomuar p\u00ebr Dizajn Grafik pran\u00eb Akademis\u00eb s\u00eb Arteve t\u00eb Universitetit t\u00eb Tetov\u00ebs n\u00eb vitin 2020. Aktualisht ai jeton dhe punon n\u00eb qytetin e
Gostivarit ku drejton fushata marketingu, punon n\u00eb dizajn, fotografi, video dhe grafik\u00eb. Autor i disa filmave dhe dokumentar\u00ebve, pjesmarr\u00ebs n\u00eb disa ekspozita arti, aktualisht Vigani \u00ebsht\u00eb edhe bashkethemelues dhe Drejtor
Kreativ i Festivalit t\u00eb Fotografis\u00eb”Punctum”.<\/p>\n\n\n\n

“Pun\u00ebtoria, apo dyqani i usta Kadriut \u00ebsht\u00eb nj\u00eb pasqyr\u00eb reale e k\u00ebti n\u00ebnqielli. Nj\u00eb deponi sistemesh dhe vlerash
t\u00eb vjetruara. Askush nuk guxon t\u00eb b\u00ebj\u00eb nj\u00eb hap para n\u00eb t\u00eb ardhmen, sepse e kaluara r\u00ebndon. Nj\u00eb e kaluar e rreme,
e manipuluar, q\u00eb mban peng t\u00eb ardhmen, mban peng rinin\u00eb e cila \u201cavash \u201cavash\u201d po largohet n\u00eb drejtim t\u00eb
panjohur. Televizori I usta Kadriut n\u00eb mes t\u00eb pun\u00ebtoris\u00eb, luan rolin e tellallit, i cili b\u00ebrtet: o burra, na ka marr\u00eb
lumi. N\u00eb k\u00ebt\u00eb \u201cpun\u00ebtori\u201d, kan\u00eb mbetur vet\u00ebm rrangallat, q\u00eb si hyjn\u00eb n\u00eb pun\u00eb m\u00eb askujt. Ai me dhembje t\u00eb
madhe n\u00eb shpirt, klith\u00eb: ikni dhe shp\u00ebtoni ku t\u00eb mundeni. Televizori n\u00eb mes t\u00eb pun\u00ebtoris\u00eb \u00ebsht\u00eb nj\u00eb faltore kulti
t\u00eb cilin e mban ndezur dit\u00eb e nat\u00eb me fanatiz\u00ebm, por nuk e beson. Jo rast\u00ebsisht e ndez dhe ia ndal z\u00ebrin me t\u00eb
shara, sepse nuk i beson m\u00eb n\u00eb asgj\u00ebje, e m\u00eb s\u00eb paku k\u00ebti zhurmuesi. Dhe prap e ndez, sepse \u00ebsht\u00eb ventili i vet\u00ebm
ku mund t\u00eb shfryej\u00eb mllefin. Ikjen e f\u00ebmij\u00ebve t\u00eb tij n\u00eb migrim ia tregojn\u00eb rrudhat e shumta ballit dhe vetullat q\u00eb
nuk i ndahen kurr\u00eb. Ai din emrat e gjith\u00eb qyteteve t\u00eb Europ\u00ebs, jo se i ka shetitur ndonj\u00ebher\u00eb, por sepse cdo kund
ka ndonj\u00eb familjar. T\u00eb vetmen q\u00eb kishte n\u00eb sht\u00ebpi, gruan e tij, ia mori \u201cs\u00ebmundja e keqe\u201d. Prej saj i ka mbetur
vet\u00ebm unaza e ngulitur n\u00eb gishtin, p\u00ebr t\u00eb cilin, nuk \u00ebsht\u00eb m\u00eb i sigurt se a mund ta nxjerr\u00eb nga gishti, sepse nuk e
ka provuar kurr\u00eb. Usta Kadriu jam edhe un\u00eb, je edhe ti\u2026 jemi t\u00eb gjith\u00eb ne\u2026”<\/p>\n\n\n\n

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HOTELI I BEQAREVE<\/h1>\n\n\n\n

Vlasov Sulaj<\/h2>\n\n\n\n
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Vlasov Sulaj ka lindur n\u00eb qytetin eFierit n\u00eb vitin 1984 dhe \u00ebsht\u00eb diplomuar pran\u00eb Fakultetit te Arteve t\u00eb bukura t\u00eb Universitetit t\u00eb Tiran\u00ebs n\u00eb vitin 2008. Artisti punon dhe jeton n\u00eb Tiran\u00eb ku prej thuajse 20 vitesh \u00ebsht\u00eb nj\u00eb fotograf profesionist, gazetar dhe fotoreporter i lir\u00eb dhe i angazhuar n\u00eb disa prej gazetave dhe revistave m\u00eb t\u00eb njohura n\u00eb shkall\u00eb vendi.<\/p>\n\n\n\n

“Hoteli i Beqar\u00ebve \u00ebsht\u00eb nj\u00eb prej godinave – fjetore t\u00eb nj\u00eb prej ish-nd\u00ebrmarrjeve m\u00eb t\u00eb m\u00ebdha t\u00eb koh\u00ebs s\u00eb
diktatur\u00ebs, Azotiku i Fierit, me emrin zyrtar Uzina e Plehrave Kimike “Gogo Nushi apo si\u00e7 thirrej edhe nga ish
pun\u00ebtor\u00ebt, “Uzina Shkoll\u00eb”. Uzina ndoqi fatin e dhjet\u00ebra nd\u00ebrrmarrje t\u00eb tilla t\u00eb m\u00ebdha t\u00eb cilat u brak- tis\u00ebn apo
u shkat\u00ebrruan plot\u00ebsisht duke shkaterruar thuajse t\u00eb gjith\u00eb industrin\u00eb e vendit dhe nj\u00ebkoh\u00ebsisht edhe t\u00eb gjith\u00eb
forc\u00ebn pun\u00ebtore. Uzina u likujdua n\u00eb vitin 1999 dhe u tenderua p\u00ebr skrap (VKM 269). Aspekti kryesor i hetimit
tim \u00ebsht\u00eb veprimtaria sociale dhe kulturore-artistike n\u00eb qytetin e Fierit e induktuar natyrsh\u00ebm prej nd\u00ebrveprimit
social mes punonj\u00ebsve. N\u00eb ato vite, sipas ish pun\u00ebtor\u00ebve – tashm\u00eb thuajse t\u00eb gjith\u00eb n\u00eb migrim, t\u00eb papun\u00eb apo n\u00eb
pension moshe – funksiononte madje edhe estrada dhe ansambli i Azotikut. Mes punonj\u00ebsve u forcuan lidhjet
nd\u00ebrkrahinore, pasi erdh\u00ebn shum\u00eb specialist\u00eb e pun\u00ebtor\u00eb nga krahinat e vendit me nivele, m\u00ebnyra apo koncepte
t\u00eb ndryshme jetese mes tyre. Uzina, gjithnj\u00eb sipas ish pun\u00ebtor\u00ebve, ka ndikuar n\u00eb formimin profesional por edhe
qytetar e shoq\u00ebror t\u00eb qytetit. Njohje, lidhje shoqerore si dhe familjare. N\u00eb uzin\u00eb, ata thon\u00eb, jan\u00eb krijuar dhjet\u00ebra
familje. Hoteli i Beqar\u00ebve sot banohet nga familje me nivel t\u00eb ul\u00ebt ekonomik por akoma dallohen dy hyrjet e
ve\u00e7anta, p\u00ebr femra dhe meshkuj n\u00eb koh\u00ebn kur sh\u00ebrbente si banes\u00eb e p\u00ebrkohshme p\u00ebr specialist\u00eb apo pun\u00ebtor\u00eb,
t\u00eb cil\u00ebt sot kujtojn\u00eb sesi edhe kinez\u00ebt e ardhur p\u00ebr t\u00eb nd\u00ebrtuar uzin\u00ebn e kan\u00eb p\u00ebrdorur pik\u00ebrisht k\u00ebt\u00eb godin\u00eb si
fjetin\u00ebn e tyre. Kjo nd\u00ebrtese e amortizuar n\u00eb an\u00eb t\u00eb ish Azotikut m\u00eb duket si nj\u00eb metafor\u00eb e dy koh\u00ebve nd\u00ebrkoh\u00eb
q\u00eb sot, ndoshta pik\u00ebrisht mungesa e pun\u00ebs dhe marr\u00ebdh\u00ebnieve sociale mes qytetar\u00ebve, i ka kthyer nj\u00eb pjes\u00eb t\u00eb
mir\u00eb qyteteve shqiptare n\u00eb asgje tjet\u00ebr ve\u00e7se fjetore t\u00eb m\u00ebdha ku asgj\u00eb nuk ndodh.<\/p>\n\n\n\n

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ALIGATOR 1991-2023<\/h1>\n\n\n\n

Arben Alliaj<\/h2>\n\n\n\n
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Arben Alliaj ka lindur n\u00eb Patos t\u00eb qytetit t\u00eb Fierit n\u00eb vitin 1975. Ai \u00ebsht\u00eb fotograf dhe dizajner me nj\u00eb karriere t\u00eb gjat\u00eb n\u00eb Shqip\u00ebri, themelues dhe administrator i \u201cBenart Print\u201d dhe themelues n\u00eb vitin 2006 i \u201cKonkursit t\u00eb Fotografis\u00eb
Artistike Fokus\u201d, transformuar suksessh\u00ebm nd\u00ebr vite n\u00eb festivalin \u201cFokus Award\u201d, ku ai mban rolin e Drejtorit Artistik q\u00eb prej fillimit. Pjesmarr\u00ebs n\u00eb dhjet\u00ebra ekspozita fotografie n\u00eb rajon, an\u00ebtar jurie n\u00eb festivale t\u00eb ndryshme, kurator n\u00eb ekspozita dhe pjesmarr\u00ebs n\u00eb shum\u00eb koloni artistike, Arbeni \u00ebsht\u00eb edhe drejtor ekzekutiv i qendres \u201cAlbania Fokus\u201d.<\/p>\n\n\n\n

“A mundet nj\u00eb ritakim pas shum\u00eb vitesh mes shok\u00ebsh t\u00eb vjet\u00ebr t\u00eb vej\u00eb n\u00eb kriz\u00eb gjith\u00eb arketipin e jet\u00ebs s\u00eb nj\u00eb
njeriu? Ndoshta po! Ishte pik\u00ebrisht takimi me shok\u00ebt e shkoll\u00ebs s\u00eb mesme dhe riberja e nje fotografie egzakt\u00ebsisht
si 32 vite m\u00eb par\u00eb, e cila me solli s\u00ebrisht n\u00eb kujtimet e asaj kohe, por edhe n\u00eb \u00ebndrrat e dikurshme p\u00ebr nj\u00eb jet\u00eb
dinjitoze k\u00ebtu n\u00eb atdheun ton\u00eb. Besoj kujtdo i kujtohet sllogani “Ta bejme shqiperine si gjithe Europa”?
Nd\u00ebrkoh\u00eb p\u00ebr koi\u00e7idenc\u00eb, nuk kish pak dite q\u00eb nj\u00eb mik i imi, me t\u00eb cilin kemi 10 vite q\u00eb punojm\u00eb s\u00eb bashku, sapo
kishte marr\u00eb viz\u00ebn per n\u00eb Shtetet e Bashkuara – pas fitimit te llotaris\u00eb – nj\u00ebkoh\u00ebsisht me gezimin e nj\u00eb babai t\u00eb
cilit djali, me nj\u00eb viz\u00eb tjet\u00ebr t\u00eb sapodal\u00eb, po trasferohej p\u00ebrgjithmon\u00eb n\u00eb Gjermani. Isha n\u00eb nj\u00eb far\u00eb m\u00ebnyre i
destinuar nga k\u00ebto koincidenca por edhe nga nj\u00eb reflektim prej koh\u00ebsh q\u00eb edhe une t\u00eb vija veten time n\u00eb loje
duke punuar mbi k\u00ebt\u00eb projekt. Kjo sepse edhe sot – 32 vite pas asaj fotografie shok\u00ebsh – p\u00ebrs\u00ebri \u00ebndrrat e
shqiptar\u00ebve por realizohen tragjikisht jasht\u00eb atdheut, duke e \u00e7uar duksh\u00ebm tashm\u00eb Shqip\u00ebrin\u00eb n\u00eb nj\u00eb shpopullim
masiv. Nga ata pes\u00eb djem t\u00eb fotografis\u00eb s\u00eb par\u00eb, vet\u00ebm Arbeni dhe Tiku mbet\u00ebn k\u00ebtu, nd\u00ebrsa Reli dhe Indriti jane
ne SHBA dhe Iliri n\u00eb Irland\u00eb. Nderkohe, tashm\u00eb nga f\u00ebmijet tan\u00eb, Gledi sapo mori viz\u00ebn p\u00ebr n\u00eb Gjermani dhe
Ernesti me Angelon do t\u00eb shkojn\u00eb m\u00eb te gjith\u00eb familjen n\u00eb Amerik\u00eb. Kleo dhe Henri, pavarsisht se jan\u00eb m\u00eb t\u00eb
vegj\u00ebl dhe familjen e kan\u00eb ketu, p\u00ebrs\u00ebri si shum\u00ebkush \u00ebnd\u00ebrrojn\u00eb t\u00eb ikin larg p\u00ebr nj\u00eb jet\u00eb m\u00eb t\u00eb mir\u00eb.”<\/p>\n\n\n\n

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NE JEMI TIRANA<\/h1>\n\n\n\n

Marsej Fucia<\/h2>\n\n\n\n
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Marsej Fucia ka lindur n\u00eb vitin 2002 n\u00eb Tiran\u00eb, qyteti ku jeton, studion dhe punon. Me gjith\u00eb mosh\u00ebn e re, Marsej ka nj\u00eb eksperienc\u00eb 5 vje\u00e7are si dizajner, fotograf, videomaker, editor, artist dhe art director,
sidomos n\u00eb sektorin e ekspozitave t\u00eb artit. Thot\u00eb p\u00ebr veten: – “Fotografia ka qene pasion i imi q\u00eb ne vegj\u00ebli dhe gjithmone mahnitesha kur shihja studiot fotografike. Prej vitesh punoj prapa skenave t\u00eb ekspozitave
t\u00eb ndryshme por p\u00ebr k\u00ebt\u00eb projekt jam i lumtur q\u00eb po dal perpara n\u00eb sken\u00eb si fotograf n\u00eb ekspoziten ton\u00eb.”<\/p>\n\n\n\n

“Ne jemi Tirana \u00ebsht\u00eb nj\u00eb projekt social, lindur mbi 4 vjet m\u00eb par\u00eb si nj\u00eb hetim mbi konditat, gjendjen, situatat e
njer\u00ebzve m\u00eb t\u00eb r\u00ebnd\u00ebsish\u00ebm t\u00eb qytetit; banor\u00ebve t\u00eb tij. Duke ju bashkuar k\u00ebtij projekti, kam fotografuar k\u00ebshtu
me qindra personazhe t\u00eb Tiran\u00ebs, kam dialoguar me ta dhe kemi njohur historit\u00eb e tyre, kemi kapur n\u00eb nj\u00eb far\u00eb
m\u00ebnyre esenc\u00ebn e qytetit. Ne Jemi Tirana i jep jet\u00eb historive t\u00eb qytetit dhe krijon nj\u00eb hap\u00ebsir\u00eb t\u00eb re komunitare,
gjithsesi un\u00eb e ndieja qe mungonte dicka, si n\u00eb k\u00ebt\u00eb projekt po ashtu dhe n\u00eb p\u00ebrgjith\u00ebsi n\u00eb fotografine dhe
median shqiptare; ndjekja e personazheve, ndjekja n\u00eb koh\u00eb e historis\u00eb s\u00eb treguar nga ata, ku jan\u00eb ata sot dhe
\u00e7fare po bejn\u00eb n\u00eb jet\u00ebn e tyre. Kjo \u00ebsht\u00eb di\u00e7ka e cila ka t\u00eb b\u00ebj\u00eb pik\u00ebrisht me aspektin dokumentar dhe social t\u00eb
fotografis\u00eb dhe \u00ebsht\u00eb ajo \u00e7ka un\u00eb sjell p\u00ebr Pressura-n, duke nisur nga disa prej atyre qindra historive, prej fillimit e deri n\u00eb dit\u00ebt e sotme. N\u00eb p\u00ebrgjith\u00ebsi tashm\u00eb k\u00ebrkimi im artistik fokusohet tek ndjekja n\u00eb koh\u00eb e historive apo rr\u00ebfimeve t\u00eb njer\u00ebzve, duke sjelle perditesime nga jeta e tyre, sidomos p\u00ebr ata qe ndjej se e kan\u00eb ngritur jet\u00ebn e tyre n\u00eb baz\u00eb t\u00eb kontraditave.”<\/p>\n\n\n\n

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BURRI ME NJE DORE<\/h1>\n\n\n\n

Majlinda Dedaj<\/h2>\n\n\n\n
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Majlinda ka lindur n\u00eb Shkod\u00ebr n\u00eb vitin 2000, prej disa koh\u00ebsh jeton dhe punon n\u00eb Tiran\u00eb. Me profesion \u00ebsht\u00eb m\u00ebsuese e gjuh\u00ebs shqipe dhe let\u00ebrsis\u00eb. P\u00ebrpos arsimit t\u00eb lart\u00eb n\u00eb k\u00ebt\u00eb deg\u00eb dhe specializimit t\u00eb plot\u00eb n\u00eb t\u00eb, zhvillon edhe aktivitetin e fotografes, i cili ka lindur si nj\u00eb pasion dhe po vazhdon me nj\u00eb angazhim serioz dhe t\u00eb vazhduesh\u00ebm, madje duke fituar edhe \u00e7mime dhe duke marr\u00eb pjes\u00eb n\u00eb ekspozita dhe shfaqje arti. Majlinda,
n\u00eb t\u00eb ardhmen synon t\u2019i dedikohet plot\u00ebsisht fotografis\u00eb, kyesishtportreteve dhe bot\u00ebs s\u00eb mod\u00ebs.<\/p>\n\n\n\n

“N\u001f fokus t\u00eb lentes sime paraqitet jeta e fshatit t\u00eb \u00c7asit, pran\u00eb Velipoj\u00ebs. Burri n\u00eb qend\u00ebr t\u00eb k\u00ebsaj historie \u00ebsht\u00eb
Pjet\u00ebr Ara, miku i ngusht\u001f i gjyshes sime t\u00eb ndjer\u00eb. Ata q\u00eb s\u2019e njohin Pjetrin prej s\u00eb af\u00ebrmi, e th\u00ebrrasin \u201cburri me
nj\u00eb dor\u00eb\u201d. Ai e pa fshatin e tij t\u00eb zhvishej dita-dit\u00ebs nga njer\u00ebzit, t\u00eb zhvendosur t\u00eb gjith\u00eb jasht\u00eb vendit ose n\u00eb
zon\u00ebn e Shqip\u00ebris\u00eb s\u00eb mesme. Nd\u00ebrkoh\u00eb q\u00eb njer\u00ebzit linin fshatin, Pjetri punoi n\u00eb vendin e tij derisa me shum\u00eb
sakrifica bleu t\u00eb kat\u001frta hyrjet e nj\u00eb pallati. Sot ai jeton aty m\u00eb v\u00ebllan\u00eb, f\u00ebmij\u00ebt dhe nip\u00ebrit e tij. P\u00ebrmes fotografive
t\u00eb mia k\u00ebrkoj t\u00eb pasqyroj di\u00e7ka m\u00eb shum\u00eb se peisazhet, veshjet, arkitektur\u00ebn, e t\u00eb tjera elemente etnografike. N\u00eb
k\u00ebt\u00eb vend ku kam lindur, pas aq vitesh rigjeta t\u00eb nj\u00ebjt\u00ebn thjesht\u00ebsi dhe harmoni q\u00eb e karakterizon fshatin. Njer\u00ebzit
rr\u00ebfejn\u00eb mbi dashurin\u00eb ndaj tjetrit dhe mbi nj\u00eb lidhje t\u00eb fort\u00eb me natyr\u00ebn. Raportet mes tyre jan\u00eb t\u00eb nd\u00ebrtura nga
besa, nderi dhe respekti. N\u00ebp\u00ebrmjet \u00c7asit synoj t\u00eb sjell nj\u00eb fotografi sa m\u00eb besnike t\u00eb vlerave t\u00eb kultur\u00ebs fshatare.
\u00c7astet e r\u00ebndomta n\u00eb t\u00eb cilat jan\u00eb kapur personazhet n\u00eb fotografi tregojn\u00eb mbi nj\u00eb stil jetese autentik dhe q\u00eb nuk
ngrihet vet\u00ebm mbi materialen. \u00c7asi \u00ebsht\u00eb nj\u00eb d\u00ebshmi sesi njeriu (shpesh) n\u00eb kushte t\u00eb v\u00ebshtira jetese di ta mbroj\u00eb
me dinjitet dhe sakrifica tok\u00ebn, familjen dhe kultur\u00ebn e tij.”<\/p>\n\n\n\n

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Metodologjia<\/em><\/strong> e p\u00ebrdorur n\u00eb projektin Pressura ka miksuar ballafaqimin mes fotograf\u00ebve mes tyre dhe lektor\u00ebve por edhe pun\u00ebtori n\u00eb terren, masterclass, leksione online, prezantime pun\u00ebsh (portfolio) dhe realizimin e nj\u00eb projekti personal p\u00ebr \u00e7do pjesmarr\u00ebs, i monitoruar nga kuratori i projektit. P\u00ebr karakterin shum\u00ebdimensional t\u00eb kolonis\u00eb, jan\u00eb angazhuar si lektor\u00eb apo drejtues t\u00eb pun\u00ebtorive figura t\u00eb larta profesionale edhe me karakter akademik si profesor\u00eb, kurator\u00eb, shkrimtar\u00eb, fotograf\u00eb, artiste pamor\u00eb, arkitekt\u00eb, aktivist\u00eb, drejtues t\u00eb organizatave joqeveritare, gazetar\u00eb, etj. N\u00eb total jan\u00eb organizuar 4 koloni. Falenderojm\u00eb ve\u00e7an\u00ebrisht lektor\u00ebt dhe bashk\u00ebpun\u00ebtor\u00ebt tan\u00eb:<\/p>\n\n\n\n

Ardian Isufi \/ Arben Alliaj \/ Carmela Rosiello \/ Osman Demiri \/ Burim Myftiu \/ Vlora Demiri \/ Stefan \u00c7apaliku \/ Eltjana Shkreli \/ Naim Spahiu \/ Nekije Shahinasi \/ Paul Lowe \/ Ziuah Grafi\u0107 \/ Koloreto Cukali \/ Rozafa Shpuza<\/strong><\/p>\n\n\n\n

Si edhe organizatat:<\/p>\n\n\n\n

Fokus Award \/ Fotoist \/ Punktum \/ MeWe \/ EJAlbum \/ Kult Gallery \/ Oda Gallery \/ GO2 Albania \/ Hapat e Leht\u00eb \/ VII Academy<\/strong><\/p>\n\n\n\n

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Shtypi rreth ekspozit\u00ebs: Ekspozita nomade e fotografis\u00eb \u201cPressura\u201d<\/a>
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Tiran\u00eb, Shqip\u00ebri 17-18 Tetor 2023<\/h2>\n\n\n\n

Amfiteatri i Universitetit t\u00eb Arteve, Sheshi N\u00ebn\u00eb Tereza<\/strong><\/p>\n\n\n\n

Ceremonia e Hapjes: 17 Tetor 2023<\/strong> \/ Ora: 17:00<\/p>\n\n\n\n

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Shtypi rreth ekspozit\u00ebs: N\u00eb Tiran\u00eb \u00ebsht\u00eb mbajtur\u00a0ekspozita<\/em>\u00a0“Presura<\/em>” ku artist\u00eb t\u00eb shumt\u00eb kan\u00eb prezantuar veprat e tyre artistike <\/a><\/p>\n\n\n\n

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Gostivar, Maqedoni e veriut 21-22 Tetor 2023<\/h2>\n\n\n\n

Amfiteatri i Qytetit<\/strong><\/p>\n\n\n\n

Ceremonia e Hapjes: 21 Tetor 2023<\/strong> \/ Ora: 16:00<\/p>\n\n\n\n

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Presura <\/strong>zbatohet me mb\u00ebshtetjen e projektit rajonal \u201cSMART Balkans \u2013 Shoq\u00ebria Civile p\u00ebr Vlera t\u00eb P\u00ebrbashk\u00ebta n\u00eb Ballkanin Per\u00ebndimor\u201d t\u00eb zbatuar nga \u201cCentar za promociju civilnog dru\u0161tva (CPCD\u201d) n\u00eb bashk\u00ebpunim me\u201d Instituti p\u00ebr Demokraci dhe Nd\u00ebrmjet\u00ebsim (IDM)\u201d dhe \u201cQendra p\u00ebr K\u00ebrkim dhe Politik\u00ebb\u00ebrje (CRPM)\u201d dhe i mb\u00ebshtetur financiarisht nga Ministria e Pun\u00ebve t\u00eb Jashtme t\u00eb Norvegjis\u00eb (NMFA).<\/p>\n\n\n\n

Kuruar nga: Elton Koritari<\/strong><\/p>\n\n\n\n

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Shih edhe:<\/p>\n\n\n\n

PRESSURA 2024 – N\u00eb nderim t\u00eb Paul Lowe<\/strong><\/a><\/p>\n\n\n\n

PRESSURA IS BACK<\/strong><\/a><\/p>\n\n\n\n

PRESSURA 2023<\/strong><\/a><\/p>\n\n\n\n

PRESSURA<\/strong><\/a><\/p>\n\n\n\n

PRESSURA 2025<\/a><\/strong><\/p>\n\n\n\n

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Mbulimi mediatik:<\/p>\n\n\n\n

Ekspozita \u201cPressura\u201d<\/a><\/p>\n\n\n\n

Ekspozita nomade e fotografis\u00eb \u201cPressura\u201d<\/a><\/p>\n\n\n\n

N\u00eb Tiran\u00eb \u00ebsht\u00eb mbajtur\u00a0ekspozita<\/em>\u00a0“Presura<\/em>” ku artist\u00eb t\u00eb shumt\u00eb kan\u00eb prezantuar veprat e tyre artistike <\/a><\/p>\n\n\n\n

PRESSURA, kolonia e artist\u00ebve nomad\u00eb dedikuar fotografis\u00eb sociale!<\/a><\/p>\n\n\n\n

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#PRESSURA 2024<\/a>\/PRESSURA IS BACK<\/a>\/PRESSURA 2023<\/a>\/PRESSURA<\/a>\/PRESSURA 2025<\/a><\/em><\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Pressura \u00ebsht\u00eb nj\u00eb koloni nomade artist\u00ebsh dedikuar fotografis\u00eb sociale. Fotograf\u00ebt apo artist\u00ebt e angazhuar n\u00eb projekt, zhvillojn\u00eb nj\u00eb sens thell\u00ebsisht t\u00eb orientuar drejt narracionit (storytelling) si nj\u00eb mjet sa antik aq edhe modern, p\u00ebr t\u00eb treguar realitetin shpeshher\u00eb kompleks t\u00eb rajonit ton\u00eb, si edhe t\u00eb luftojn\u00eb dizinformimin publik duke autentifikuar realitetin sipas etik\u00ebs dhe nd\u00ebrgjegjes s\u00eb tyre.<\/p>","protected":false},"author":1,"featured_media":1089,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"yoast_head":"\nPRESSURA 2023 \u2013 EKSPOZIT\u00cb NOMADE - Ejalbum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ejalbum.com\/sq\/pressura-ekspozite-nomade\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PRESSURA 2023 \u2013 EKSPOZIT\u00cb NOMADE\" \/>\n<meta property=\"og:description\" content=\"Pressura \u00ebsht\u00eb nj\u00eb koloni nomade artist\u00ebsh dedikuar fotografis\u00eb sociale. 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