{"id":2012,"date":"2011-01-18T13:26:00","date_gmt":"2011-01-18T13:26:00","guid":{"rendered":"https:\/\/ejalbum.com\/ejalbum3\/?p=2012"},"modified":"2026-01-14T13:34:24","modified_gmt":"2026-01-14T13:34:24","slug":"ejalbum-revista-fotopasion","status":"publish","type":"post","link":"https:\/\/ejalbum.com\/sq\/ejalbum-revista-fotopasion\/","title":{"rendered":"EJAlbum & Revista Fotopasion"},"content":{"rendered":"

Ky artikull n\u00eb blogun ton\u00eb \u00ebsht\u00eb nj\u00eb tribut p\u00ebr nje bashk\u00ebpunim mjaft interesant dhe te frytsh\u00ebm qe gjat\u00eb k\u00ebtyre dy viteve kemi patur me k\u00ebt\u00eb revist\u00eb dhe k\u00ebta t\u00eb rinj t\u00eb apasionuar mbas fotografis\u00eb. EJAlbum ka lindur nga pasioni p\u00ebr fotografin\u00eb, pik\u00ebrisht si Fotopasion. Ky ishte numri i tret\u00eb i bashk\u00ebpunimit dhe urimi yn\u00eb \u00ebsht\u00eb p\u00ebrher\u00eb q\u00eb \u201cadeptet\u201d e fotografis\u00eb t\u00eb shtohen n\u00eb Shqip\u00ebri \u2013 nga EJAlbum do t\u00eb ket\u00eb p\u00ebrher\u00eb mbeshtetje p\u00ebr iniciativa t\u00eb tilla.
<\/p>\n\n\n\n

\"EJAlbum<\/figure>\n\n\n\n

\u201cFjal\u00eb p\u00ebrsh\u00ebndet\u00ebse\u2026\u201d \u2013 <\/strong>Julinda Mbrica. PR EJAlbum<\/strong><\/p>\n\n\n\n

Tema e revist\u00ebs p\u00ebr k\u00ebt\u00eb num\u00ebr, ishte nj\u00eb rast shum\u00eb i mir\u00eb p\u00ebr t\u00eb zbuluar gjurm\u00ebt q\u00eb thell\u00eb brenda nesh ka l\u00ebn\u00eb m\u00eb shum\u00eb se nj\u00eb shekull fotografi. Sepse ky art lind bardh\u00eb e zi. Madje shum\u00eb fotograf\u00eb, me gjith\u00eb mund\u00ebsit\u00eb e filmit me ngjyra, asnj\u00ebher\u00eb nuk e \u201ctradh\u00ebtuan\u201d at\u00eb bardh\u00eb e zi. <\/p>\n\n\n\n

Gabriele  Basilico e p\u00ebrdor prej gjith\u00eb jet\u00ebs n\u00eb arkitektur\u00eb apo m\u00eb mir\u00eb n\u00eb at\u00eb q\u00eb ai quan \u201cPeisazhi Urban\u201d. Gianni Barengo Gardin, ashtu si pothuaj t\u00eb gjith\u00eb fotograf\u00ebt e \u201cMagnum\u201d, kan\u00eb ngritur nj\u00eb kult t\u00eb k\u00ebsaj fotografie p\u00ebr t\u00eb dokumentuar apo n\u00eb rastin e Gardin, m\u00eb mir\u00eb t\u00eb themi \u201cinterpretuar\u201d realitetin e p\u00ebrditsh\u00ebm. \u00cbsht\u00eb i panum\u00ebrt numri i fotograf\u00ebve q\u00eb gjat\u00eb gjith\u00eb karrier\u00ebs s\u00eb tyre p\u00ebrdorin vet\u00ebm k\u00ebt\u00eb lloj fotografie. Vet\u00eb ne, fotot e familiar\u00ebve tan\u00eb n\u00ebp\u00ebr albumet tona, i kemi n\u00eb bardh\u00eb e zi n\u00eb pjes\u00ebn m\u00eb t\u00eb madhe. <\/p>\n\n\n\n

N\u00ebse i referohemi teoris\u00eb s\u00eb drit\u00ebs, madje ngjyrat jan\u00eb thjesht nj\u00eb \u201cinterpretim\u201d i trurit ndaj refleksit t\u00eb drit\u00ebs; n\u00eb t\u00eb v\u00ebrtet\u00eb ato nuk ekzistojn\u00eb. Ja pse ne t\u00eb EJAlbum prisnim shum\u00eb nga fotograf\u00ebt k\u00ebsaj here. Fatkeq\u00ebsisht na duhet t\u00eb pranojm\u00eb q\u00eb shum\u00eb pak u mor seriozisht dhe fotografit\u00eb jan\u00eb shum\u00eb pak. Gjithsesi falenderojm\u00eb si gjithmon\u00eb pjes\u00ebmarr\u00ebsit p\u00ebr guximin e tyre, sepse fotografia bardh\u00eb e zi \u00ebsht\u00eb e v\u00ebshtir\u00eb p\u00ebr pesh\u00ebn e saj historike dhe sfid\u00ebn q\u00eb p\u00ebrmban brenda.<\/p>\n\n\n\n

T\u00eb gjykosh di\u00e7ka, p\u00ebrmban brenda gjith\u00eb subjektivitetin duke v\u00ebshtir\u00ebsuar zgjedhjen. Dikush na e leht\u00ebsoi at\u00eb duke d\u00ebrguar vet\u00ebm nj\u00eb fotografi, dikush tjet\u00ebr na e komplikoi duke sjell\u00eb fotografi q\u00eb nuk i p\u00ebrmbaheshin tem\u00ebs apo rregullave. P\u00ebr t\u00eb tjer\u00ebt zgjodh\u00ebm nga nj\u00eb foto sepse rregulli na e impononte, por kjo nuk do t\u00eb thot\u00eb se t\u00eb tjerat skualifikohen si me pak cil\u00ebsore. Aspak. Thjesht zgjodh\u00ebm foton m\u00eb koherente me t\u00eb gjith\u00eb faktor\u00ebt, tem\u00ebn, iden\u00eb, kompozimin, fuqin\u00eb e subjektit, realizimin teknik si dhe pa n\u00ebnvler\u00ebsuar aspak: Kreativitetin!<\/p>\n\n\n\n

Ne t\u00eb EJAlbum e adhurojm\u00eb at\u00eb. Ne, k\u00ebrkojm\u00eb pik\u00ebrisht t\u00eb gjejm\u00eb ata q\u00eb duke q\u00ebn\u00eb kreativ\u00eb, e trasformojn\u00eb fiksimin e nj\u00eb imazhi n\u00eb celuloid apo sensor dixhital, n\u00eb art. Dhe si gjithmon\u00eb n\u00eb tradit\u00ebn ton\u00eb, zgjodh\u00ebm nj\u00eb portofolio me disa foto t\u00eb fotografit Visar Sherifi si pun\u00ebn e radh\u00ebs p\u00ebr revist\u00ebn. N\u00eb k\u00ebto foto mish\u00ebrohet plot\u00ebsisht idea jon\u00eb e kreativitetit dhe forc\u00ebs ekspresive t\u00eb imazhit, n\u00eb k\u00ebt\u00eb rast n\u00eb fotografi bardh\u00eb e zi.<\/p>\n\n\n\n

K\u00ebtij fotografi i ofrojm\u00eb edhe nj\u00eb \u00e7mim simbolik, nj\u00eb album portfolio p\u00ebr pun\u00ebn e tij, duke i uruar sukses dhe duke shpresuar t\u2019i sjell\u00eb fatin q\u00eb p\u00ebr k\u00ebt\u00eb vit i solli fotografes q\u00eb vitin e kaluar ne zgjodh\u00ebm si fituese t\u00eb nj\u00eb \u00e7mimi t\u00eb ngjash\u00ebm, s\u00eb cil\u00ebs i realizuam portfolio-n personal dhe q\u00eb tashm\u00eb \u00ebsht\u00eb mjaft e suksesshme n\u00eb Shqip\u00ebri. E kemi fjal\u00ebn p\u00ebr fotografen Edvina Meta.<\/p>\n\n\n\n

Gjith\u00eb pjes\u00ebmarr\u00ebsve t\u00eb tjer\u00eb u urojm\u00eb p\u00ebrzem\u00ebrsisht shum\u00eb suksese n\u00eb numrat e ardhsh\u00ebm.<\/p>\n\n\n\n

\"EJAlbum\"<\/figure>\n\n\n\n

\u201cFotografia dhe interneti\u201d \u2013 Elton Koritari<\/em><\/strong><\/p>\n\n\n\n

Probabilisht gjat\u00eb koh\u00ebs q\u00eb publikohet kjo revist\u00eb do t\u00eb ket\u00eb ndodhur kalimi i shifr\u00ebs s\u00eb pritur: 2 miliard\u00eb p\u00ebrdorues n\u00eb bot\u00eb. Aktualisht populli i internetit \u00ebsht\u00eb populli m\u00eb i madh i planetit. Duke llogaritur rreth 6,8 miliard\u00eb popullsin\u00eb bot\u00ebrore (sipas Census Bureau USA); 30% e banor\u00ebve t\u00eb planetit kan\u00eb akses n\u00eb rrjet. Kjo shif\u00ebr shkon n\u00eb 71% n\u00eb vendet e zhvilluara. 1,3 milion\u00eb sipas Bashkimit Nd\u00ebrkomb\u00ebtar t\u00eb Telekomunikacioneve (ITU) p\u00ebrdoruesit shqiptar\u00eb gjat\u00eb k\u00ebtij viti. 50% m\u00eb shum\u00eb sesa vitin e kaluar. Nj\u00eb rritje maramend\u00ebse e destinuar t\u00eb mos frenohet derisa edhe n\u00eb Shqip\u00ebri populli i internetit t\u00eb arrij\u00eb nj\u00eb p\u00ebrqindje t\u00eb ngjashme me at\u00eb t\u00eb rajonit, pra rreth 65% e popullsis\u00eb, q\u00eb n\u00eb Europ\u00eb ka akses t\u00eb p\u00ebrditsh\u00ebm n\u00eb web.<\/p>\n\n\n\n

Tashm\u00eb fjal\u00ebt: Google, Facebook, Wikipedia, My Space, Twitter, Flickr etj jan\u00eb fjal\u00eb t\u00eb fjalorit t\u00eb p\u00ebrditsh\u00ebm. Bota po shkon drejt nj\u00eb seleksionimi paraprak online t\u00eb \u00e7do produkti, ideje apo informacioni para se ta konsumoj\u00eb m\u00eb pas at\u00eb n\u00eb bot\u00ebn reale. Madje kufijt\u00eb mes dy bot\u00ebve duket sikur nuk kan\u00eb m\u00eb kuptim q\u00eb kur interneti \u00ebsht\u00eb edhe mobile, n\u00ebp\u00ebrmjet telefonit apo platformave wireless. Aq sa kjo revist\u00eb psh. mund t\u00eb lexohet tashm\u00eb kudo, pothuaj nj\u00eblloj si t\u00eb ishte e stampuar n\u00eb let\u00ebr, madje me avantazhin q\u00eb m\u00eb pas mund t\u00eb ndahet me k\u00ebdo, sado larg t\u00eb jet\u00eb ai person dhe me nj\u00eb avantazh tjet\u00ebr akoma m\u00eb t\u00eb madh: \u00ebsht\u00eb gratis.<\/p>\n\n\n\n

Spontanisht, besoj se lind nj\u00eb pyetje: \u00c7far\u00eb ka t\u00eb b\u00ebj\u00eb kjo me fotografin\u00eb?<\/p>\n\n\n\n

Mendoj se p\u00ebrgjigjia \u00ebsht\u00eb fare e thjesht\u00eb dhe ka t\u00eb b\u00ebj\u00eb me p\u00ebrb\u00ebrjen fizike t\u00eb t\u00eb dyjave, q\u00eb tashm\u00eb \u00ebsht\u00eb nj\u00eb seri e kriptografuar numrash 1 e 0.<\/p>\n\n\n\n

Fotografia dhe interneti ecin n\u00eb t\u00eb nj\u00ebjt\u00ebt binar\u00eb dhe n\u00eb fakt, n\u00eb vite, rritja e internetit ka ndikuar mjaft tek fotografi duke ndryshuar krejt\u00ebsisht fizionomin\u00eb e nj\u00eb bisnesi, por edhe t\u00eb vet\u00eb profesionit t\u00eb fotografit. Mbi t\u00eb gjitha, interneti amplifikoi nj\u00eb p\u00ebrzjerje t\u00eb ujrave nd\u00ebrmjet fotografis\u00eb profesionale dhe asaj amatoriale, sidomos n\u00eb favor t\u00eb k\u00ebsaj t\u00eb fundit. Tashm\u00eb kushdo ka mund\u00ebsi t\u00eb shfletoj\u00eb portfolio t\u00eb fotograf\u00ebve profesionist\u00eb, t\u00eb ndaj\u00eb me k\u00ebdo krijimin e tij, t\u00eb informohet e pse jo, edhe t\u00eb shes\u00eb fotografi n\u00eb nj\u00eb moment kur edhe bler\u00ebsit jan\u00eb t\u00eb lidhur online. Bler\u00ebsit! Ata tashm\u00eb jan\u00eb online dhe ky \u00ebsht\u00eb nj\u00eb fakt me t\u00eb cilin nj\u00eb fotograf duhet t\u00eb p\u00ebrballet n\u00eb \u00e7do moment dhe q\u00eb e b\u00ebn at\u00eb nj\u00eb figur\u00eb profesionale komplekse t\u00eb cilit i duhet t\u00eb konkuroj\u00eb jo vet\u00ebm me koleg\u00ebt e vet, por edhe me miliona fotoamator\u00eb q\u00eb ashtu si ai jan\u00eb n\u00eb kontakt me bler\u00ebsit.<\/p>\n\n\n\n

Gjith\u00e7ka \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb komplekse edhe p\u00ebr faktin se tashm\u00eb, fotografi nuk \u00ebsht\u00eb m\u00eb nj\u00eb hallk\u00eb e nj\u00eb zinxhiri, por thjesht nj\u00eb komponent i pavarur i gjith\u00eb mekanizmit.<\/p>\n\n\n\n

Kjo vlen p\u00ebr fotograf\u00ebt free-lance edhe p\u00ebr ata q\u00eb kan\u00eb nj\u00eb studio apo dyqan. Le t\u00eb shpjegojm\u00eb m\u00eb mir\u00eb t\u00eb gjitha rastet:<\/p>\n\n\n\n

Nj\u00eb fotograf artistik, deri para pak koh\u00ebsh krijonte artin e tij ekskluzivisht p\u00ebr nj\u00eb galeri apo nj\u00eb editor. Po ashtu edhe nj\u00eb fotoreporter d\u00ebrgohej diku nga nj\u00eb agjensi apo nga nj\u00eb editor p\u00ebr t\u00eb dokumentuar realitetin dhe m\u00eb pas ai d\u00ebrgonte materiale q\u00eb editoheshin nga t\u00eb tjer\u00eb para se t\u00eb botoheshin. Sot k\u00ebto raste jan\u00eb gjithnj\u00eb e m\u00eb pak. Sot editori m\u00eb par\u00eb i drejtohet web-it. Aty gjejn\u00eb potuajse \u00e7far\u00eb t\u00eb duan. E si pasoj\u00eb fotografia e komisionuar ka ndryshuar krejt\u00ebsisht. Fotograf\u00ebve sot p\u00ebr t\u00eb konkuruar u duhet t\u00eb b\u00ebjn\u00eb gj\u00ebra q\u00eb m\u00eb par\u00eb i b\u00ebnin t\u00eb tjer\u00ebt. Duket sikur jan\u00eb kthyer n\u00eb fillimet e tyre 160 vite m\u00eb par\u00eb kur u duhej t\u00eb fotografonin dhe m\u00eb pas t\u00eb p\u00ebrgatisnin vaskat, solucionet dhe si rrjedhim t\u00eb gjith\u00eb pro\u00e7esin. Ka nj\u00eb fotografi t\u00eb famshme t\u00eb Daguerre n\u00eb karroc\u00ebn e tij l\u00ebviz\u00ebse kur dilte p\u00ebr t\u00eb fotografuar jasht\u00eb, asgj\u00eb t\u00eb ngjashme me nj\u00eb aparat t\u00eb vog\u00ebl dhe nj\u00eb \u00e7ant\u00eb dore aksesor\u00ebsh m\u00eb t\u00eb cil\u00ebt ishim m\u00ebsuar t\u00eb shihnim fotograf\u00ebt deri para pak koh\u00ebsh.<\/p>\n\n\n\n

Rrall\u00ebher\u00eb sheh sot fotoreporter\u00eb pa kompjuterin e tyre me vete. Dhe jo vet\u00ebm p\u00ebr t\u00eb trasmetuar fotot, por edhe p\u00ebr t\u2019i edituar ato. Sepse klientit gjithmon\u00eb e m\u00eb shum\u00eb i ofrohet nj\u00eb pun\u00eb e p\u00ebrfunduar dhe e gatshme p\u00ebr botim. Dhe gjithmon\u00eb e m\u00eb shum\u00eb editor\u00ebt i blejn\u00eb fotografit\u00eb nga fotograf\u00ebt lokal\u00eb p\u00ebr kronikat e tyre. <\/p>\n\n\n\n

Akoma m\u00eb komplekse \u00ebsht\u00eb \u00e7\u00ebshtja p\u00ebr dyqanet e fotografis\u00eb. Tashm\u00eb ato nuk jan\u00eb m\u00eb pjes\u00eb e nj\u00eb sistemi zinxhir q\u00eb niste nga kompanit\u00eb e m\u00ebdha t\u00eb prodhimit t\u00eb filmave dhe shtynin tregun drejt filmave n\u00ebp\u00ebrmjet marketingut t\u00eb tyre duke u siguruar k\u00ebshtu pun\u00ebn dyqaneve n\u00eb nj\u00eb mekaniz\u00ebm gati perfekt. \u201cJu shtypni butonin, ne b\u00ebjm\u00eb pjes\u00ebn tjet\u00ebr\u201d \u2013 ishte parrulla e KODAK q\u00eb n\u00eb fillimet e saj me Kodak Box. Sot? Sot, kompanit\u00eb e m\u00ebdha ofrojn\u00eb gjith\u00e7ka direkt konsumatorit. Fotokamera gjithmon\u00eb e m\u00eb t\u00eb p\u00ebrdorshme, gjithmon\u00eb e m\u00eb t\u00eb lira, software p\u00ebr editimin e tyre, printer p\u00ebr foto etj etj. Dhe p\u00ebr m\u00eb tep\u00ebr fotografit\u00eb mund t\u00eb shihen direkt n\u00eb kompjuter, n\u00eb tv, n\u00eb celular, mund t\u00eb trasferohen menj\u00ebher\u00eb, t\u00eb ndahen me t\u00eb njohurit madje edhe t\u00eb printohen n\u00ebp\u00ebrmjet internetit. <\/p>\n\n\n\n

Kjo nuk duhet t\u00eb thot\u00eb q\u00eb dyqanet duhet t\u00eb mbyllen. Aspak. Fotografia do stampohet gjithmon\u00eb. Madje jo vet\u00ebm n\u00eb let\u00ebr fotografike. Edhe kjo \u00ebsht\u00eb nj\u00eb gj\u00eb e re dhe n\u00eb favor t\u00eb teknologjis\u00eb dixhitale. Mund t\u00eb stampohen kudo: bluza, tapete mausi, filxhan\u00eb, puzzle, mund t\u00eb krijohen fotolibra, mund t\u00eb b\u00ebhet pothuaj gjith\u00e7ka. Dhe k\u00ebtu q\u00ebndron roli i ri i dyqaneve t\u00eb fotografive. T\u00eb rrisin ofert\u00ebn e tyre, t\u00eb rrisin cil\u00ebsin\u00eb dhe sidomos t\u00eb rrisin llojet e sh\u00ebrbimeve q\u00eb ofrojn\u00eb. E nj\u00ebjta gj\u00eb dhe p\u00ebr fotograf\u00ebt e eventeve apo p\u00ebr fotoreporter\u00ebt. N\u00eb nj\u00eb moment ngopjeje t\u00eb tregut t\u00eb fotografis\u00eb, \u00e7udit\u00ebrisht ka shum\u00eb nevoj\u00eb p\u00ebr reportazhe fotografike. Sepse edhe nj\u00eb num\u00ebr tjet\u00ebr \u00ebsht\u00eb n\u00eb rritje: numri i revistave dhe i gazetave. Sidomos revistat, kan\u00eb nevoj\u00eb m\u00eb tep\u00ebr se p\u00ebr foto kronike, p\u00ebr foto reportazhi. Pun\u00eb t\u00eb menduara mir\u00eb dhe t\u00eb p\u00ebrgatitura m\u00eb par\u00eb. Kjo \u00ebsht\u00eb kthesa. <\/p>\n\n\n\n

Ngelen fotoamator\u00ebt, jo m\u00eb kot i lash\u00eb p\u00ebr n\u00eb fund. Sepse kur flitet p\u00ebr nj\u00eb pasion, nuk ka kuptim t\u00eb flitet p\u00ebr rregulla. N\u00ebse fotografia \u00ebsht\u00eb nj\u00eb pasion, i till\u00eb duhet t\u00eb ngelet. N\u00ebse t\u00eb apasionojn\u00eb lulet, peisazhet, arkitektura, njer\u00ebzit apo \u00e7far\u00ebdo t\u00eb jet\u00eb, tani ke m\u00eb shum\u00eb mund\u00ebsi ta b\u00ebsh edhe me m\u00eb shum\u00eb cil\u00ebsi se m\u00eb par\u00eb. Tani ke m\u00eb shum\u00eb mund\u00ebsi t\u00eb ndash me t\u00eb tjer\u00ebt pasionin t\u00ebnd. Tani ke m\u00eb shum\u00eb mund\u00ebsi t\u00eb m\u00ebsosh. Por tani ke m\u00eb shum\u00eb p\u00ebrgjegj\u00ebsi. Sepse tani \u00e7do gj\u00eb t\u00eb b\u00ebsh \u00ebsht\u00eb e gjykueshme n\u00eb \u00e7ast dhe krijon pre\u00e7edent. Por mbi t\u00eb gjitha tani vet\u00ebm ty t\u00eb takon t\u00eb zgjedh\u00ebsh di\u00e7ka: T\u00eb vazhdosh rrug\u00ebn e nisur 160 vite m\u00eb par\u00eb nga Niepce, Daguerre, Talbot, Bayard, rrug\u00eb n\u00ebp\u00ebr t\u00eb cil\u00ebn n\u00eb dekada kan\u00eb ecur Bresson, Ray, Nadar, Adams etj, apo t\u00eb zgjedh\u00ebsh nj\u00eb rrug\u00eb tjet\u00ebr, at\u00eb t\u00eb t\u00eb ngelurit gjithmon\u00eb nj\u00eb diletant. <\/p>\n\n\n\n

Asgj\u00eb t\u00eb keqe nuk ka edhe kjo e fundit. Mjafton t\u00eb mos ket\u00eb mendjemadh\u00ebsin\u00eb e t\u00eb z\u00ebvend\u00ebsuarit t\u00eb s\u00eb par\u00ebs. Sepse fotografia, sido q\u00eb t\u00eb jen\u00eb mjetet me t\u00eb cilat realizohet apo shp\u00ebrndahet, n\u00eb emrin e saj ka nj\u00eb mision: \u201cT\u00eb shkruaj\u00eb me drit\u00eb!\u201d Dhe drita ka rregullat e saj. E ardhmja do marr\u00eb parasysh gjithmon\u00eb historin\u00eb e k\u00ebtij arti. Piktori Paul Delaroche, ngeli n\u00eb histori jo p\u00ebr artin e tij, q\u00eb ishte tep\u00ebr mediok\u00ebr, por p\u00ebr nj\u00eb fraz\u00eb idiote q\u00eb sot e degjojm\u00eb akoma shpesh. Kur pa fotografin\u00eb e par\u00eb ai tha: \u201cQ\u00eb sot, piktura mund t\u00eb deklarohet e vdekur!\u201d. T\u00eb gjith\u00eb e kemi parasysh sot sa e gjall\u00ebroi madje piktur\u00ebn lindja e fotografis\u00eb. T\u00eb nj\u00ebjt\u00ebn gj\u00eb po b\u00ebn dhe do vazhdoj\u00eb t\u00eb b\u00ebj\u00eb teknologjia dixhitale. Do vazhdoj\u00eb t\u00eb rris\u00eb pasionin p\u00ebr fotografin\u00eb. Dhe interneti, paradoksalisht \u00ebsht\u00eb mjeti m\u00eb i mir\u00eb p\u00ebr t\u00eb b\u00ebr\u00eb k\u00ebt\u00eb. <\/p>\n\n\n\n

Ky duhet t\u00eb jet\u00eb misioni i t\u00eb gjith\u00ebve.<\/p>\n\n\n\n

Mund t\u00eb lexoni nga revista edhe k\u00ebto artikuj:<\/p>\n\n\n\n

Bashk\u00ebbisedim me Fotografin Bujar Veselaj<\/a><\/p>\n\n\n\n

Bashk\u00ebbisedim me Fotografin Armando Babani<\/a><\/p>\n\n\n\n

Shih edhe:<\/p>\n\n\n\n

EJAlbum n\u00eb revist\u00ebn Dasma Shqiptare<\/a><\/p>\n\n\n\n

# 2010<\/a>,\u00a0<\/strong>Album Epoca<\/a>,\u00a0<\/strong>Albume Fotografike<\/a>,\u00a0<\/strong>Armando Babani<\/a>,\u00a0<\/strong>Artikull<\/a>,\u00a0<\/strong>Dasma Shqiptare<\/a>,\u00a0<\/strong>EJAlbum Albania<\/a>,\u00a0<\/strong>Elton Koritari<\/a>,\u00a0<\/strong>Fotoamatorizem<\/a>,\u00a0<\/strong>Fotografe Profesioniste<\/a>,\u00a0<\/strong>Fotograf\u00eb Shqiptar\u00eb<\/a>,\u00a0<\/strong>Fotografia Profesionale<\/a>,\u00a0<\/strong>Fotopasion<\/a>,\u00a0<\/strong>Julinda Mbrica<\/a>,\u00a0<\/strong>Revista<\/a><\/p>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Ky artikull n\u00eb blogun ton\u00eb \u00ebsht\u00eb nj\u00eb tribut p\u00ebr nje bashk\u00ebpunim mjaft interesant dhe te frytsh\u00ebm qe gjat\u00eb k\u00ebtyre dy viteve kemi patur me k\u00ebt\u00eb revist\u00eb dhe k\u00ebta t\u00eb rinj t\u00eb apasionuar mbas fotografis\u00eb. EJAlbum ka lindur nga pasioni p\u00ebr fotografin\u00eb, pik\u00ebrisht si Fotopasion. Ky ishte numri i tret\u00eb i bashk\u00ebpunimit dhe urimi yn\u00eb \u00ebsht\u00eb p\u00ebrher\u00eb q\u00eb \u201cadeptet\u201d e fotografis\u00eb t\u00eb shtohen n\u00eb Shqip\u00ebri \u2013 nga EJAlbum do t\u00eb ket\u00eb p\u00ebrher\u00eb mbeshtetje p\u00ebr iniciativa t\u00eb tilla. \u201cFjal\u00eb p\u00ebrsh\u00ebndet\u00ebse\u2026\u201d \u2013 Julinda Mbrica. PR EJAlbum Tema e revist\u00ebs p\u00ebr k\u00ebt\u00eb num\u00ebr, ishte nj\u00eb rast shum\u00eb i mir\u00eb p\u00ebr t\u00eb zbuluar gjurm\u00ebt q\u00eb thell\u00eb brenda nesh ka l\u00ebn\u00eb m\u00eb shum\u00eb se nj\u00eb shekull fotografi. Sepse ky art lind bardh\u00eb e zi. Madje shum\u00eb fotograf\u00eb, me gjith\u00eb mund\u00ebsit\u00eb e filmit me ngjyra, asnj\u00ebher\u00eb nuk e \u201ctradh\u00ebtuan\u201d at\u00eb bardh\u00eb e zi.  Gabriele  Basilico e p\u00ebrdor prej gjith\u00eb jet\u00ebs n\u00eb arkitektur\u00eb apo m\u00eb mir\u00eb n\u00eb at\u00eb q\u00eb ai quan \u201cPeisazhi Urban\u201d. Gianni Barengo Gardin, ashtu si pothuaj t\u00eb gjith\u00eb fotograf\u00ebt e \u201cMagnum\u201d, kan\u00eb ngritur nj\u00eb kult t\u00eb k\u00ebsaj fotografie p\u00ebr t\u00eb dokumentuar apo n\u00eb rastin e Gardin, m\u00eb mir\u00eb t\u00eb themi \u201cinterpretuar\u201d realitetin e p\u00ebrditsh\u00ebm. \u00cbsht\u00eb i panum\u00ebrt numri i fotograf\u00ebve q\u00eb gjat\u00eb gjith\u00eb karrier\u00ebs s\u00eb tyre p\u00ebrdorin vet\u00ebm k\u00ebt\u00eb lloj fotografie. Vet\u00eb ne, fotot e familiar\u00ebve tan\u00eb n\u00ebp\u00ebr albumet tona, i kemi n\u00eb bardh\u00eb e zi n\u00eb pjes\u00ebn m\u00eb t\u00eb madhe.  N\u00ebse i referohemi teoris\u00eb s\u00eb drit\u00ebs, madje ngjyrat jan\u00eb thjesht nj\u00eb \u201cinterpretim\u201d i trurit ndaj refleksit t\u00eb drit\u00ebs; n\u00eb t\u00eb v\u00ebrtet\u00eb ato nuk ekzistojn\u00eb. Ja pse ne t\u00eb EJAlbum prisnim shum\u00eb nga fotograf\u00ebt k\u00ebsaj here. Fatkeq\u00ebsisht na duhet t\u00eb pranojm\u00eb q\u00eb shum\u00eb pak u mor seriozisht dhe fotografit\u00eb jan\u00eb shum\u00eb pak. Gjithsesi falenderojm\u00eb si gjithmon\u00eb pjes\u00ebmarr\u00ebsit p\u00ebr guximin e tyre, sepse fotografia bardh\u00eb e zi \u00ebsht\u00eb e v\u00ebshtir\u00eb p\u00ebr pesh\u00ebn e saj historike dhe sfid\u00ebn q\u00eb p\u00ebrmban brenda. T\u00eb gjykosh di\u00e7ka, p\u00ebrmban brenda gjith\u00eb subjektivitetin duke v\u00ebshtir\u00ebsuar zgjedhjen. Dikush na e leht\u00ebsoi at\u00eb duke d\u00ebrguar vet\u00ebm nj\u00eb fotografi, dikush tjet\u00ebr na e komplikoi duke sjell\u00eb fotografi q\u00eb nuk i p\u00ebrmbaheshin tem\u00ebs apo rregullave. P\u00ebr t\u00eb tjer\u00ebt zgjodh\u00ebm nga nj\u00eb foto sepse rregulli na e impononte, por kjo nuk do t\u00eb thot\u00eb se t\u00eb tjerat skualifikohen si me pak cil\u00ebsore. Aspak. Thjesht zgjodh\u00ebm foton m\u00eb koherente me t\u00eb gjith\u00eb faktor\u00ebt, tem\u00ebn, iden\u00eb, kompozimin, fuqin\u00eb e subjektit, realizimin teknik si dhe pa n\u00ebnvler\u00ebsuar aspak: Kreativitetin! Ne t\u00eb EJAlbum e adhurojm\u00eb at\u00eb. Ne, k\u00ebrkojm\u00eb pik\u00ebrisht t\u00eb gjejm\u00eb ata q\u00eb duke q\u00ebn\u00eb kreativ\u00eb, e trasformojn\u00eb fiksimin e nj\u00eb imazhi n\u00eb celuloid apo sensor dixhital, n\u00eb art. Dhe si gjithmon\u00eb n\u00eb tradit\u00ebn ton\u00eb, zgjodh\u00ebm nj\u00eb portofolio me disa foto t\u00eb fotografit Visar Sherifi si pun\u00ebn e radh\u00ebs p\u00ebr revist\u00ebn. N\u00eb k\u00ebto foto mish\u00ebrohet plot\u00ebsisht idea jon\u00eb e kreativitetit dhe forc\u00ebs ekspresive t\u00eb imazhit, n\u00eb k\u00ebt\u00eb rast n\u00eb fotografi bardh\u00eb e zi. K\u00ebtij fotografi i ofrojm\u00eb edhe nj\u00eb \u00e7mim simbolik, nj\u00eb album portfolio p\u00ebr pun\u00ebn e tij, duke i uruar sukses dhe duke shpresuar t\u2019i sjell\u00eb fatin q\u00eb p\u00ebr k\u00ebt\u00eb vit i solli fotografes q\u00eb vitin e kaluar ne zgjodh\u00ebm si fituese t\u00eb nj\u00eb \u00e7mimi t\u00eb ngjash\u00ebm, s\u00eb cil\u00ebs i realizuam portfolio-n personal dhe q\u00eb tashm\u00eb \u00ebsht\u00eb mjaft e suksesshme n\u00eb Shqip\u00ebri. E kemi fjal\u00ebn p\u00ebr fotografen Edvina Meta. Gjith\u00eb pjes\u00ebmarr\u00ebsve t\u00eb tjer\u00eb u urojm\u00eb p\u00ebrzem\u00ebrsisht shum\u00eb suksese n\u00eb numrat e ardhsh\u00ebm. \u201cFotografia dhe interneti\u201d \u2013 Elton Koritari Probabilisht gjat\u00eb koh\u00ebs q\u00eb publikohet kjo revist\u00eb do t\u00eb ket\u00eb ndodhur kalimi i shifr\u00ebs s\u00eb pritur: 2 miliard\u00eb p\u00ebrdorues n\u00eb bot\u00eb. Aktualisht populli i internetit \u00ebsht\u00eb populli m\u00eb i madh i planetit. Duke llogaritur rreth 6,8 miliard\u00eb popullsin\u00eb bot\u00ebrore (sipas Census Bureau USA); 30% e banor\u00ebve t\u00eb planetit kan\u00eb akses n\u00eb rrjet. Kjo shif\u00ebr shkon n\u00eb 71% n\u00eb vendet e zhvilluara. 1,3 milion\u00eb sipas Bashkimit Nd\u00ebrkomb\u00ebtar t\u00eb Telekomunikacioneve (ITU) p\u00ebrdoruesit shqiptar\u00eb gjat\u00eb k\u00ebtij viti. 50% m\u00eb shum\u00eb sesa vitin e kaluar. Nj\u00eb rritje maramend\u00ebse e destinuar t\u00eb mos frenohet derisa edhe n\u00eb Shqip\u00ebri populli i internetit t\u00eb arrij\u00eb nj\u00eb p\u00ebrqindje t\u00eb ngjashme me at\u00eb t\u00eb rajonit, pra rreth 65% e popullsis\u00eb, q\u00eb n\u00eb Europ\u00eb ka akses t\u00eb p\u00ebrditsh\u00ebm n\u00eb web. Tashm\u00eb fjal\u00ebt: Google, Facebook, Wikipedia, My Space, Twitter, Flickr etj jan\u00eb fjal\u00eb t\u00eb fjalorit t\u00eb p\u00ebrditsh\u00ebm. Bota po shkon drejt nj\u00eb seleksionimi paraprak online t\u00eb \u00e7do produkti, ideje apo informacioni para se ta konsumoj\u00eb m\u00eb pas at\u00eb n\u00eb bot\u00ebn reale. Madje kufijt\u00eb mes dy bot\u00ebve duket sikur nuk kan\u00eb m\u00eb kuptim q\u00eb kur interneti \u00ebsht\u00eb edhe mobile, n\u00ebp\u00ebrmjet telefonit apo platformave wireless. Aq sa kjo revist\u00eb psh. mund t\u00eb lexohet tashm\u00eb kudo, pothuaj nj\u00eblloj si t\u00eb ishte e stampuar n\u00eb let\u00ebr, madje me avantazhin q\u00eb m\u00eb pas mund t\u00eb ndahet me k\u00ebdo, sado larg t\u00eb jet\u00eb ai person dhe me nj\u00eb avantazh tjet\u00ebr akoma m\u00eb t\u00eb madh: \u00ebsht\u00eb gratis. Spontanisht, besoj se lind nj\u00eb pyetje: \u00c7far\u00eb ka t\u00eb b\u00ebj\u00eb kjo me fotografin\u00eb? Mendoj se p\u00ebrgjigjia \u00ebsht\u00eb fare e thjesht\u00eb dhe ka t\u00eb b\u00ebj\u00eb me p\u00ebrb\u00ebrjen fizike t\u00eb t\u00eb dyjave, q\u00eb tashm\u00eb \u00ebsht\u00eb nj\u00eb seri e kriptografuar numrash 1 e 0. Fotografia dhe interneti ecin n\u00eb t\u00eb nj\u00ebjt\u00ebt binar\u00eb dhe n\u00eb fakt, n\u00eb vite, rritja e internetit ka ndikuar mjaft tek fotografi duke ndryshuar krejt\u00ebsisht fizionomin\u00eb e nj\u00eb bisnesi, por edhe t\u00eb vet\u00eb profesionit t\u00eb fotografit. Mbi t\u00eb gjitha, interneti amplifikoi nj\u00eb p\u00ebrzjerje t\u00eb ujrave nd\u00ebrmjet fotografis\u00eb profesionale dhe asaj amatoriale, sidomos n\u00eb favor t\u00eb k\u00ebsaj t\u00eb fundit. Tashm\u00eb kushdo ka mund\u00ebsi t\u00eb shfletoj\u00eb portfolio t\u00eb fotograf\u00ebve profesionist\u00eb, t\u00eb ndaj\u00eb me k\u00ebdo krijimin e tij, t\u00eb informohet e pse jo, edhe t\u00eb shes\u00eb fotografi n\u00eb nj\u00eb moment kur edhe bler\u00ebsit jan\u00eb t\u00eb lidhur online. Bler\u00ebsit! Ata tashm\u00eb jan\u00eb online dhe ky \u00ebsht\u00eb nj\u00eb fakt me t\u00eb cilin nj\u00eb fotograf duhet t\u00eb p\u00ebrballet n\u00eb \u00e7do moment dhe q\u00eb e b\u00ebn at\u00eb nj\u00eb figur\u00eb profesionale komplekse t\u00eb cilit i duhet t\u00eb konkuroj\u00eb jo vet\u00ebm me koleg\u00ebt e vet, por edhe me miliona fotoamator\u00eb q\u00eb ashtu si ai jan\u00eb n\u00eb kontakt me bler\u00ebsit. Gjith\u00e7ka \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb komplekse edhe p\u00ebr faktin se tashm\u00eb, fotografi nuk \u00ebsht\u00eb m\u00eb nj\u00eb hallk\u00eb e nj\u00eb zinxhiri, por thjesht nj\u00eb komponent i pavarur i gjith\u00eb mekanizmit. Kjo vlen p\u00ebr fotograf\u00ebt free-lance<\/p>","protected":false},"author":27,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2012","post","type-post","status-publish","format-standard","hentry","category-blog"],"acf":[],"yoast_head":"\nEJAlbum & Revista Fotopasion - Ejalbum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ejalbum.com\/sq\/ejalbum-revista-fotopasion\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EJAlbum & Revista Fotopasion\" \/>\n<meta property=\"og:description\" content=\"Ky artikull n\u00eb blogun ton\u00eb \u00ebsht\u00eb nj\u00eb tribut p\u00ebr nje bashk\u00ebpunim mjaft interesant dhe te frytsh\u00ebm qe gjat\u00eb k\u00ebtyre dy viteve kemi patur me k\u00ebt\u00eb revist\u00eb dhe k\u00ebta t\u00eb rinj t\u00eb apasionuar mbas fotografis\u00eb. EJAlbum ka lindur nga pasioni p\u00ebr fotografin\u00eb, pik\u00ebrisht si Fotopasion. Ky ishte numri i tret\u00eb i bashk\u00ebpunimit dhe urimi yn\u00eb \u00ebsht\u00eb p\u00ebrher\u00eb q\u00eb \u201cadeptet\u201d e fotografis\u00eb t\u00eb shtohen n\u00eb Shqip\u00ebri \u2013 nga EJAlbum do t\u00eb ket\u00eb p\u00ebrher\u00eb mbeshtetje p\u00ebr iniciativa t\u00eb tilla. \u201cFjal\u00eb p\u00ebrsh\u00ebndet\u00ebse\u2026\u201d \u2013 Julinda Mbrica. PR EJAlbum Tema e revist\u00ebs p\u00ebr k\u00ebt\u00eb num\u00ebr, ishte nj\u00eb rast shum\u00eb i mir\u00eb p\u00ebr t\u00eb zbuluar gjurm\u00ebt q\u00eb thell\u00eb brenda nesh ka l\u00ebn\u00eb m\u00eb shum\u00eb se nj\u00eb shekull fotografi. Sepse ky art lind bardh\u00eb e zi. Madje shum\u00eb fotograf\u00eb, me gjith\u00eb mund\u00ebsit\u00eb e filmit me ngjyra, asnj\u00ebher\u00eb nuk e \u201ctradh\u00ebtuan\u201d at\u00eb bardh\u00eb e zi.  Gabriele  Basilico e p\u00ebrdor prej gjith\u00eb jet\u00ebs n\u00eb arkitektur\u00eb apo m\u00eb mir\u00eb n\u00eb at\u00eb q\u00eb ai quan \u201cPeisazhi Urban\u201d. Gianni Barengo Gardin, ashtu si pothuaj t\u00eb gjith\u00eb fotograf\u00ebt e \u201cMagnum\u201d, kan\u00eb ngritur nj\u00eb kult t\u00eb k\u00ebsaj fotografie p\u00ebr t\u00eb dokumentuar apo n\u00eb rastin e Gardin, m\u00eb mir\u00eb t\u00eb themi \u201cinterpretuar\u201d realitetin e p\u00ebrditsh\u00ebm. \u00cbsht\u00eb i panum\u00ebrt numri i fotograf\u00ebve q\u00eb gjat\u00eb gjith\u00eb karrier\u00ebs s\u00eb tyre p\u00ebrdorin vet\u00ebm k\u00ebt\u00eb lloj fotografie. Vet\u00eb ne, fotot e familiar\u00ebve tan\u00eb n\u00ebp\u00ebr albumet tona, i kemi n\u00eb bardh\u00eb e zi n\u00eb pjes\u00ebn m\u00eb t\u00eb madhe.  N\u00ebse i referohemi teoris\u00eb s\u00eb drit\u00ebs, madje ngjyrat jan\u00eb thjesht nj\u00eb \u201cinterpretim\u201d i trurit ndaj refleksit t\u00eb drit\u00ebs; n\u00eb t\u00eb v\u00ebrtet\u00eb ato nuk ekzistojn\u00eb. Ja pse ne t\u00eb EJAlbum prisnim shum\u00eb nga fotograf\u00ebt k\u00ebsaj here. Fatkeq\u00ebsisht na duhet t\u00eb pranojm\u00eb q\u00eb shum\u00eb pak u mor seriozisht dhe fotografit\u00eb jan\u00eb shum\u00eb pak. Gjithsesi falenderojm\u00eb si gjithmon\u00eb pjes\u00ebmarr\u00ebsit p\u00ebr guximin e tyre, sepse fotografia bardh\u00eb e zi \u00ebsht\u00eb e v\u00ebshtir\u00eb p\u00ebr pesh\u00ebn e saj historike dhe sfid\u00ebn q\u00eb p\u00ebrmban brenda. T\u00eb gjykosh di\u00e7ka, p\u00ebrmban brenda gjith\u00eb subjektivitetin duke v\u00ebshtir\u00ebsuar zgjedhjen. Dikush na e leht\u00ebsoi at\u00eb duke d\u00ebrguar vet\u00ebm nj\u00eb fotografi, dikush tjet\u00ebr na e komplikoi duke sjell\u00eb fotografi q\u00eb nuk i p\u00ebrmbaheshin tem\u00ebs apo rregullave. P\u00ebr t\u00eb tjer\u00ebt zgjodh\u00ebm nga nj\u00eb foto sepse rregulli na e impononte, por kjo nuk do t\u00eb thot\u00eb se t\u00eb tjerat skualifikohen si me pak cil\u00ebsore. Aspak. Thjesht zgjodh\u00ebm foton m\u00eb koherente me t\u00eb gjith\u00eb faktor\u00ebt, tem\u00ebn, iden\u00eb, kompozimin, fuqin\u00eb e subjektit, realizimin teknik si dhe pa n\u00ebnvler\u00ebsuar aspak: Kreativitetin! Ne t\u00eb EJAlbum e adhurojm\u00eb at\u00eb. Ne, k\u00ebrkojm\u00eb pik\u00ebrisht t\u00eb gjejm\u00eb ata q\u00eb duke q\u00ebn\u00eb kreativ\u00eb, e trasformojn\u00eb fiksimin e nj\u00eb imazhi n\u00eb celuloid apo sensor dixhital, n\u00eb art. Dhe si gjithmon\u00eb n\u00eb tradit\u00ebn ton\u00eb, zgjodh\u00ebm nj\u00eb portofolio me disa foto t\u00eb fotografit Visar Sherifi si pun\u00ebn e radh\u00ebs p\u00ebr revist\u00ebn. N\u00eb k\u00ebto foto mish\u00ebrohet plot\u00ebsisht idea jon\u00eb e kreativitetit dhe forc\u00ebs ekspresive t\u00eb imazhit, n\u00eb k\u00ebt\u00eb rast n\u00eb fotografi bardh\u00eb e zi. K\u00ebtij fotografi i ofrojm\u00eb edhe nj\u00eb \u00e7mim simbolik, nj\u00eb album portfolio p\u00ebr pun\u00ebn e tij, duke i uruar sukses dhe duke shpresuar t\u2019i sjell\u00eb fatin q\u00eb p\u00ebr k\u00ebt\u00eb vit i solli fotografes q\u00eb vitin e kaluar ne zgjodh\u00ebm si fituese t\u00eb nj\u00eb \u00e7mimi t\u00eb ngjash\u00ebm, s\u00eb cil\u00ebs i realizuam portfolio-n personal dhe q\u00eb tashm\u00eb \u00ebsht\u00eb mjaft e suksesshme n\u00eb Shqip\u00ebri. E kemi fjal\u00ebn p\u00ebr fotografen Edvina Meta. Gjith\u00eb pjes\u00ebmarr\u00ebsve t\u00eb tjer\u00eb u urojm\u00eb p\u00ebrzem\u00ebrsisht shum\u00eb suksese n\u00eb numrat e ardhsh\u00ebm. \u201cFotografia dhe interneti\u201d \u2013 Elton Koritari Probabilisht gjat\u00eb koh\u00ebs q\u00eb publikohet kjo revist\u00eb do t\u00eb ket\u00eb ndodhur kalimi i shifr\u00ebs s\u00eb pritur: 2 miliard\u00eb p\u00ebrdorues n\u00eb bot\u00eb. Aktualisht populli i internetit \u00ebsht\u00eb populli m\u00eb i madh i planetit. Duke llogaritur rreth 6,8 miliard\u00eb popullsin\u00eb bot\u00ebrore (sipas Census Bureau USA); 30% e banor\u00ebve t\u00eb planetit kan\u00eb akses n\u00eb rrjet. Kjo shif\u00ebr shkon n\u00eb 71% n\u00eb vendet e zhvilluara. 1,3 milion\u00eb sipas Bashkimit Nd\u00ebrkomb\u00ebtar t\u00eb Telekomunikacioneve (ITU) p\u00ebrdoruesit shqiptar\u00eb gjat\u00eb k\u00ebtij viti. 50% m\u00eb shum\u00eb sesa vitin e kaluar. Nj\u00eb rritje maramend\u00ebse e destinuar t\u00eb mos frenohet derisa edhe n\u00eb Shqip\u00ebri populli i internetit t\u00eb arrij\u00eb nj\u00eb p\u00ebrqindje t\u00eb ngjashme me at\u00eb t\u00eb rajonit, pra rreth 65% e popullsis\u00eb, q\u00eb n\u00eb Europ\u00eb ka akses t\u00eb p\u00ebrditsh\u00ebm n\u00eb web. Tashm\u00eb fjal\u00ebt: Google, Facebook, Wikipedia, My Space, Twitter, Flickr etj jan\u00eb fjal\u00eb t\u00eb fjalorit t\u00eb p\u00ebrditsh\u00ebm. Bota po shkon drejt nj\u00eb seleksionimi paraprak online t\u00eb \u00e7do produkti, ideje apo informacioni para se ta konsumoj\u00eb m\u00eb pas at\u00eb n\u00eb bot\u00ebn reale. Madje kufijt\u00eb mes dy bot\u00ebve duket sikur nuk kan\u00eb m\u00eb kuptim q\u00eb kur interneti \u00ebsht\u00eb edhe mobile, n\u00ebp\u00ebrmjet telefonit apo platformave wireless. Aq sa kjo revist\u00eb psh. mund t\u00eb lexohet tashm\u00eb kudo, pothuaj nj\u00eblloj si t\u00eb ishte e stampuar n\u00eb let\u00ebr, madje me avantazhin q\u00eb m\u00eb pas mund t\u00eb ndahet me k\u00ebdo, sado larg t\u00eb jet\u00eb ai person dhe me nj\u00eb avantazh tjet\u00ebr akoma m\u00eb t\u00eb madh: \u00ebsht\u00eb gratis. Spontanisht, besoj se lind nj\u00eb pyetje: \u00c7far\u00eb ka t\u00eb b\u00ebj\u00eb kjo me fotografin\u00eb? Mendoj se p\u00ebrgjigjia \u00ebsht\u00eb fare e thjesht\u00eb dhe ka t\u00eb b\u00ebj\u00eb me p\u00ebrb\u00ebrjen fizike t\u00eb t\u00eb dyjave, q\u00eb tashm\u00eb \u00ebsht\u00eb nj\u00eb seri e kriptografuar numrash 1 e 0. Fotografia dhe interneti ecin n\u00eb t\u00eb nj\u00ebjt\u00ebt binar\u00eb dhe n\u00eb fakt, n\u00eb vite, rritja e internetit ka ndikuar mjaft tek fotografi duke ndryshuar krejt\u00ebsisht fizionomin\u00eb e nj\u00eb bisnesi, por edhe t\u00eb vet\u00eb profesionit t\u00eb fotografit. Mbi t\u00eb gjitha, interneti amplifikoi nj\u00eb p\u00ebrzjerje t\u00eb ujrave nd\u00ebrmjet fotografis\u00eb profesionale dhe asaj amatoriale, sidomos n\u00eb favor t\u00eb k\u00ebsaj t\u00eb fundit. Tashm\u00eb kushdo ka mund\u00ebsi t\u00eb shfletoj\u00eb portfolio t\u00eb fotograf\u00ebve profesionist\u00eb, t\u00eb ndaj\u00eb me k\u00ebdo krijimin e tij, t\u00eb informohet e pse jo, edhe t\u00eb shes\u00eb fotografi n\u00eb nj\u00eb moment kur edhe bler\u00ebsit jan\u00eb t\u00eb lidhur online. Bler\u00ebsit! Ata tashm\u00eb jan\u00eb online dhe ky \u00ebsht\u00eb nj\u00eb fakt me t\u00eb cilin nj\u00eb fotograf duhet t\u00eb p\u00ebrballet n\u00eb \u00e7do moment dhe q\u00eb e b\u00ebn at\u00eb nj\u00eb figur\u00eb profesionale komplekse t\u00eb cilit i duhet t\u00eb konkuroj\u00eb jo vet\u00ebm me koleg\u00ebt e vet, por edhe me miliona fotoamator\u00eb q\u00eb ashtu si ai jan\u00eb n\u00eb kontakt me bler\u00ebsit. Gjith\u00e7ka \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb komplekse edhe p\u00ebr faktin se tashm\u00eb, fotografi nuk \u00ebsht\u00eb m\u00eb nj\u00eb hallk\u00eb e nj\u00eb zinxhiri, por thjesht nj\u00eb komponent i pavarur i gjith\u00eb mekanizmit. 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Ejalbum","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ejalbum.com\/sq\/ejalbum-revista-fotopasion\/","og_locale":"sq_AL","og_type":"article","og_title":"EJAlbum & Revista Fotopasion","og_description":"Ky artikull n\u00eb blogun ton\u00eb \u00ebsht\u00eb nj\u00eb tribut p\u00ebr nje bashk\u00ebpunim mjaft interesant dhe te frytsh\u00ebm qe gjat\u00eb k\u00ebtyre dy viteve kemi patur me k\u00ebt\u00eb revist\u00eb dhe k\u00ebta t\u00eb rinj t\u00eb apasionuar mbas fotografis\u00eb. EJAlbum ka lindur nga pasioni p\u00ebr fotografin\u00eb, pik\u00ebrisht si Fotopasion. Ky ishte numri i tret\u00eb i bashk\u00ebpunimit dhe urimi yn\u00eb \u00ebsht\u00eb p\u00ebrher\u00eb q\u00eb \u201cadeptet\u201d e fotografis\u00eb t\u00eb shtohen n\u00eb Shqip\u00ebri \u2013 nga EJAlbum do t\u00eb ket\u00eb p\u00ebrher\u00eb mbeshtetje p\u00ebr iniciativa t\u00eb tilla. \u201cFjal\u00eb p\u00ebrsh\u00ebndet\u00ebse\u2026\u201d \u2013 Julinda Mbrica. PR EJAlbum Tema e revist\u00ebs p\u00ebr k\u00ebt\u00eb num\u00ebr, ishte nj\u00eb rast shum\u00eb i mir\u00eb p\u00ebr t\u00eb zbuluar gjurm\u00ebt q\u00eb thell\u00eb brenda nesh ka l\u00ebn\u00eb m\u00eb shum\u00eb se nj\u00eb shekull fotografi. Sepse ky art lind bardh\u00eb e zi. Madje shum\u00eb fotograf\u00eb, me gjith\u00eb mund\u00ebsit\u00eb e filmit me ngjyra, asnj\u00ebher\u00eb nuk e \u201ctradh\u00ebtuan\u201d at\u00eb bardh\u00eb e zi.  Gabriele  Basilico e p\u00ebrdor prej gjith\u00eb jet\u00ebs n\u00eb arkitektur\u00eb apo m\u00eb mir\u00eb n\u00eb at\u00eb q\u00eb ai quan \u201cPeisazhi Urban\u201d. Gianni Barengo Gardin, ashtu si pothuaj t\u00eb gjith\u00eb fotograf\u00ebt e \u201cMagnum\u201d, kan\u00eb ngritur nj\u00eb kult t\u00eb k\u00ebsaj fotografie p\u00ebr t\u00eb dokumentuar apo n\u00eb rastin e Gardin, m\u00eb mir\u00eb t\u00eb themi \u201cinterpretuar\u201d realitetin e p\u00ebrditsh\u00ebm. \u00cbsht\u00eb i panum\u00ebrt numri i fotograf\u00ebve q\u00eb gjat\u00eb gjith\u00eb karrier\u00ebs s\u00eb tyre p\u00ebrdorin vet\u00ebm k\u00ebt\u00eb lloj fotografie. Vet\u00eb ne, fotot e familiar\u00ebve tan\u00eb n\u00ebp\u00ebr albumet tona, i kemi n\u00eb bardh\u00eb e zi n\u00eb pjes\u00ebn m\u00eb t\u00eb madhe.  N\u00ebse i referohemi teoris\u00eb s\u00eb drit\u00ebs, madje ngjyrat jan\u00eb thjesht nj\u00eb \u201cinterpretim\u201d i trurit ndaj refleksit t\u00eb drit\u00ebs; n\u00eb t\u00eb v\u00ebrtet\u00eb ato nuk ekzistojn\u00eb. Ja pse ne t\u00eb EJAlbum prisnim shum\u00eb nga fotograf\u00ebt k\u00ebsaj here. Fatkeq\u00ebsisht na duhet t\u00eb pranojm\u00eb q\u00eb shum\u00eb pak u mor seriozisht dhe fotografit\u00eb jan\u00eb shum\u00eb pak. Gjithsesi falenderojm\u00eb si gjithmon\u00eb pjes\u00ebmarr\u00ebsit p\u00ebr guximin e tyre, sepse fotografia bardh\u00eb e zi \u00ebsht\u00eb e v\u00ebshtir\u00eb p\u00ebr pesh\u00ebn e saj historike dhe sfid\u00ebn q\u00eb p\u00ebrmban brenda. T\u00eb gjykosh di\u00e7ka, p\u00ebrmban brenda gjith\u00eb subjektivitetin duke v\u00ebshtir\u00ebsuar zgjedhjen. Dikush na e leht\u00ebsoi at\u00eb duke d\u00ebrguar vet\u00ebm nj\u00eb fotografi, dikush tjet\u00ebr na e komplikoi duke sjell\u00eb fotografi q\u00eb nuk i p\u00ebrmbaheshin tem\u00ebs apo rregullave. P\u00ebr t\u00eb tjer\u00ebt zgjodh\u00ebm nga nj\u00eb foto sepse rregulli na e impononte, por kjo nuk do t\u00eb thot\u00eb se t\u00eb tjerat skualifikohen si me pak cil\u00ebsore. Aspak. Thjesht zgjodh\u00ebm foton m\u00eb koherente me t\u00eb gjith\u00eb faktor\u00ebt, tem\u00ebn, iden\u00eb, kompozimin, fuqin\u00eb e subjektit, realizimin teknik si dhe pa n\u00ebnvler\u00ebsuar aspak: Kreativitetin! Ne t\u00eb EJAlbum e adhurojm\u00eb at\u00eb. Ne, k\u00ebrkojm\u00eb pik\u00ebrisht t\u00eb gjejm\u00eb ata q\u00eb duke q\u00ebn\u00eb kreativ\u00eb, e trasformojn\u00eb fiksimin e nj\u00eb imazhi n\u00eb celuloid apo sensor dixhital, n\u00eb art. Dhe si gjithmon\u00eb n\u00eb tradit\u00ebn ton\u00eb, zgjodh\u00ebm nj\u00eb portofolio me disa foto t\u00eb fotografit Visar Sherifi si pun\u00ebn e radh\u00ebs p\u00ebr revist\u00ebn. N\u00eb k\u00ebto foto mish\u00ebrohet plot\u00ebsisht idea jon\u00eb e kreativitetit dhe forc\u00ebs ekspresive t\u00eb imazhit, n\u00eb k\u00ebt\u00eb rast n\u00eb fotografi bardh\u00eb e zi. K\u00ebtij fotografi i ofrojm\u00eb edhe nj\u00eb \u00e7mim simbolik, nj\u00eb album portfolio p\u00ebr pun\u00ebn e tij, duke i uruar sukses dhe duke shpresuar t\u2019i sjell\u00eb fatin q\u00eb p\u00ebr k\u00ebt\u00eb vit i solli fotografes q\u00eb vitin e kaluar ne zgjodh\u00ebm si fituese t\u00eb nj\u00eb \u00e7mimi t\u00eb ngjash\u00ebm, s\u00eb cil\u00ebs i realizuam portfolio-n personal dhe q\u00eb tashm\u00eb \u00ebsht\u00eb mjaft e suksesshme n\u00eb Shqip\u00ebri. E kemi fjal\u00ebn p\u00ebr fotografen Edvina Meta. Gjith\u00eb pjes\u00ebmarr\u00ebsve t\u00eb tjer\u00eb u urojm\u00eb p\u00ebrzem\u00ebrsisht shum\u00eb suksese n\u00eb numrat e ardhsh\u00ebm. \u201cFotografia dhe interneti\u201d \u2013 Elton Koritari Probabilisht gjat\u00eb koh\u00ebs q\u00eb publikohet kjo revist\u00eb do t\u00eb ket\u00eb ndodhur kalimi i shifr\u00ebs s\u00eb pritur: 2 miliard\u00eb p\u00ebrdorues n\u00eb bot\u00eb. Aktualisht populli i internetit \u00ebsht\u00eb populli m\u00eb i madh i planetit. Duke llogaritur rreth 6,8 miliard\u00eb popullsin\u00eb bot\u00ebrore (sipas Census Bureau USA); 30% e banor\u00ebve t\u00eb planetit kan\u00eb akses n\u00eb rrjet. Kjo shif\u00ebr shkon n\u00eb 71% n\u00eb vendet e zhvilluara. 1,3 milion\u00eb sipas Bashkimit Nd\u00ebrkomb\u00ebtar t\u00eb Telekomunikacioneve (ITU) p\u00ebrdoruesit shqiptar\u00eb gjat\u00eb k\u00ebtij viti. 50% m\u00eb shum\u00eb sesa vitin e kaluar. Nj\u00eb rritje maramend\u00ebse e destinuar t\u00eb mos frenohet derisa edhe n\u00eb Shqip\u00ebri populli i internetit t\u00eb arrij\u00eb nj\u00eb p\u00ebrqindje t\u00eb ngjashme me at\u00eb t\u00eb rajonit, pra rreth 65% e popullsis\u00eb, q\u00eb n\u00eb Europ\u00eb ka akses t\u00eb p\u00ebrditsh\u00ebm n\u00eb web. Tashm\u00eb fjal\u00ebt: Google, Facebook, Wikipedia, My Space, Twitter, Flickr etj jan\u00eb fjal\u00eb t\u00eb fjalorit t\u00eb p\u00ebrditsh\u00ebm. Bota po shkon drejt nj\u00eb seleksionimi paraprak online t\u00eb \u00e7do produkti, ideje apo informacioni para se ta konsumoj\u00eb m\u00eb pas at\u00eb n\u00eb bot\u00ebn reale. Madje kufijt\u00eb mes dy bot\u00ebve duket sikur nuk kan\u00eb m\u00eb kuptim q\u00eb kur interneti \u00ebsht\u00eb edhe mobile, n\u00ebp\u00ebrmjet telefonit apo platformave wireless. Aq sa kjo revist\u00eb psh. mund t\u00eb lexohet tashm\u00eb kudo, pothuaj nj\u00eblloj si t\u00eb ishte e stampuar n\u00eb let\u00ebr, madje me avantazhin q\u00eb m\u00eb pas mund t\u00eb ndahet me k\u00ebdo, sado larg t\u00eb jet\u00eb ai person dhe me nj\u00eb avantazh tjet\u00ebr akoma m\u00eb t\u00eb madh: \u00ebsht\u00eb gratis. Spontanisht, besoj se lind nj\u00eb pyetje: \u00c7far\u00eb ka t\u00eb b\u00ebj\u00eb kjo me fotografin\u00eb? Mendoj se p\u00ebrgjigjia \u00ebsht\u00eb fare e thjesht\u00eb dhe ka t\u00eb b\u00ebj\u00eb me p\u00ebrb\u00ebrjen fizike t\u00eb t\u00eb dyjave, q\u00eb tashm\u00eb \u00ebsht\u00eb nj\u00eb seri e kriptografuar numrash 1 e 0. Fotografia dhe interneti ecin n\u00eb t\u00eb nj\u00ebjt\u00ebt binar\u00eb dhe n\u00eb fakt, n\u00eb vite, rritja e internetit ka ndikuar mjaft tek fotografi duke ndryshuar krejt\u00ebsisht fizionomin\u00eb e nj\u00eb bisnesi, por edhe t\u00eb vet\u00eb profesionit t\u00eb fotografit. Mbi t\u00eb gjitha, interneti amplifikoi nj\u00eb p\u00ebrzjerje t\u00eb ujrave nd\u00ebrmjet fotografis\u00eb profesionale dhe asaj amatoriale, sidomos n\u00eb favor t\u00eb k\u00ebsaj t\u00eb fundit. Tashm\u00eb kushdo ka mund\u00ebsi t\u00eb shfletoj\u00eb portfolio t\u00eb fotograf\u00ebve profesionist\u00eb, t\u00eb ndaj\u00eb me k\u00ebdo krijimin e tij, t\u00eb informohet e pse jo, edhe t\u00eb shes\u00eb fotografi n\u00eb nj\u00eb moment kur edhe bler\u00ebsit jan\u00eb t\u00eb lidhur online. Bler\u00ebsit! Ata tashm\u00eb jan\u00eb online dhe ky \u00ebsht\u00eb nj\u00eb fakt me t\u00eb cilin nj\u00eb fotograf duhet t\u00eb p\u00ebrballet n\u00eb \u00e7do moment dhe q\u00eb e b\u00ebn at\u00eb nj\u00eb figur\u00eb profesionale komplekse t\u00eb cilit i duhet t\u00eb konkuroj\u00eb jo vet\u00ebm me koleg\u00ebt e vet, por edhe me miliona fotoamator\u00eb q\u00eb ashtu si ai jan\u00eb n\u00eb kontakt me bler\u00ebsit. Gjith\u00e7ka \u00ebsht\u00eb b\u00ebr\u00eb m\u00eb komplekse edhe p\u00ebr faktin se tashm\u00eb, fotografi nuk \u00ebsht\u00eb m\u00eb nj\u00eb hallk\u00eb e nj\u00eb zinxhiri, por thjesht nj\u00eb komponent i pavarur i gjith\u00eb mekanizmit. 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