{"id":4174,"date":"2024-09-03T23:04:00","date_gmt":"2024-09-03T23:04:00","guid":{"rendered":"https:\/\/ejalbum.com\/?p=4174"},"modified":"2026-02-27T10:02:43","modified_gmt":"2026-02-27T10:02:43","slug":"pressura-2024","status":"publish","type":"post","link":"https:\/\/ejalbum.com\/sq\/pressura-2024\/","title":{"rendered":"PRESSURA 2024"},"content":{"rendered":"\n

VISUAL POETRY ON SOCIAL PHOTOGRAPHY <\/strong><\/p>\n\n\n\n

Kurim i edicionit t\u00eb dyt\u00eb t\u00eb PRESSURA \u2013 A Nomadic Art Colony
GOCAT Gallery, Tirana | 2024<\/em><\/p>\n\n\n\n

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Shtypi rreth ekspozit\u00ebs: N\u00ebn kujdesin e fondacioni Mane, hapet n\u00eb galerin\u00eb \u2018Gocat\u2019 ekspozita, \u201cPoezi Vizuale mbi Fotografin\u00eb Sociale\u201d<\/a><\/p>\n\n\n\n

Kjo ekspozit\u00eb hedh drit\u00eb mbi pabarazin\u00eb, padrejt\u00ebsin\u00eb dhe q\u00ebndrueshm\u00ebrin\u00eb, duke ofruar nj\u00eb v\u00ebshtrim intim mbi jet\u00ebt e l\u00ebna pas dore p\u00ebrmes nj\u00eb eksplorimi t\u00eb sakt\u00eb t\u00eb q\u00ebndrueshm\u00ebris\u00eb njer\u00ebzore dhe k\u00ebrkimit t\u00eb kuptimit mes fatkeq\u00ebsive. Pavijoni “The Siege” ekspozon nj\u00eb trup punimesh me fokus realitetet e ashpra t\u00eb konfliktit, pavijoni “Hollow” ofron nj\u00eb shenjt\u00ebrore reflektimi, pavijoni “Ordinary Saints” lart\u00ebson heronjt\u00eb e p\u00ebrditsh\u00ebm dhe pavijoni “Poetry” fton publikun t\u00eb niset n\u00eb nj\u00eb udh\u00ebtim p\u00ebrmes kompleksitetit dhe triumfeve t\u00eb p\u00ebrvoj\u00ebs njer\u00ebzore. S\u00eb bashku, k\u00ebto vepra formojn\u00eb nj\u00eb rr\u00ebfim koheziv q\u00eb shqyrton gjendjen njer\u00ebzore p\u00ebrmes k\u00ebndv\u00ebshtrimeve t\u00eb ndryshme, ku secili kontribuon n\u00eb nj\u00eb kuptim m\u00eb t\u00eb thell\u00eb dhe m\u00eb t\u00eb gjer\u00eb t\u00eb Qenies Njer\u00ebzore. Pressura, p\u00ebrmes k\u00ebsaj ekspozite si dhe p\u00ebrmes gjith\u00eb projektit, i ofron publikut nj\u00eb perspektiv\u00eb t\u00eb nuancuar mbi rezistenc\u00ebn, q\u00ebndrueshm\u00ebrin\u00eb, dinjitetin dhe dhembshurin\u00eb ton\u00eb s\u00eb bashku, si qenie njer\u00ebzore. Artist\u00ebt, n\u00eb projektin Pressura inkurajohen t\u00eb reflektojn\u00eb mbi rolet e tyre brenda komuniteteve t\u00eb tyre dhe bot\u00ebs, duke nxitur nj\u00eb mir\u00ebnjohje m\u00eb t\u00eb thell\u00eb p\u00ebr fuqin\u00eb e fotografis\u00eb p\u00ebr raportim social dhe p\u00ebr t\u00eb frym\u00ebzuar ndryshim.<\/p>\n\n\n\n

Pressura \u00ebsht\u00eb nj\u00eb koloni nomade artist\u00ebsh t\u00eb dedikuar ndaj fotografis\u00eb sociale. Artist\u00ebt e angazhuar n\u00eb k\u00ebt\u00eb projekt, zhvillojn\u00eb nj\u00eb ndjesi t\u00eb thell\u00eb t\u00eb tregimtaris\u00eb, si nj\u00eb mjet sa antik aq edhe modern, e gjitha kjo p\u00ebr t\u00eb treguar realitetin kompleks t\u00eb gjendjes njer\u00ebzore.<\/strong><\/p>\n\n\n\n

Duke favorizuar shk\u00ebmbimin kulturor dhe profesional mes fotograf\u00ebve me q\u00ebllimin e forcimit t\u00eb shpirtit t\u00eb tyre kritik – Pressura ka ambicien t\u00eb b\u00ebhet nj\u00eb l\u00ebvizje e v\u00ebrtet\u00eb artistike dhe etike. Ajo i ndihmon artist\u00ebt t\u00eb orientohen drejt poezis\u00eb vizuale si nj\u00eb ndjeshm\u00ebri artistike dhe nj\u00eb q\u00ebndrim ndaj realitetit historik social bashk\u00ebkohor. <\/p>\n\n\n\n

Poezia Vizuale e Fotografis\u00eb Sociale dominon nj\u00eb hap\u00ebsir\u00eb mes poezis\u00eb dhe arteve vizuale q\u00eb ndoshta m\u00eb shum\u00eb se format e tjera t\u00eb artit merr n\u00eb pyetje dimensionet politike dhe psikoanalitike t\u00eb imazheve. Dhe m\u00eb pas, ajo ka fuqin\u00eb t\u00eb nd\u00ebrtoj\u00eb dialog, t\u00eb magnetizoj\u00eb dhe prandaj t\u00eb p\u00ebrqafoj\u00eb, t\u00eb t\u00ebrheq\u00eb brenda dhe t\u00eb koaguloj\u00eb kontributet e mediave t\u00eb tjera.<\/strong><\/p>\n\n\n\n

Pressura l\u00ebviz n\u00ebp\u00ebr rajonet ton\u00eb duke organizuar evente t\u00eb fokusuara mbi fotografin\u00eb autoriale dhe duke i b\u00ebr\u00eb bashk\u00eb artist\u00ebt n\u00eb nj\u00eb komunitet artistik. N\u00eb bot\u00ebn e sotme me ritme t\u00eb shpejta, fotograf\u00ebt bashk\u00ebkohor\u00eb vazhdojn\u00eb t\u00eb shtyjn\u00eb kufijt\u00eb e mjetit t\u00eb tyre, duke p\u00ebrdorur teknika dhe perspektiva inovative p\u00ebr t\u00eb kapur esenc\u00ebn e shoq\u00ebris\u00eb moderne.<\/p>\n\n\n\n

P\u00ebr m\u00eb tep\u00ebr, kjo ekspozit\u00eb kurohet nga EJAlbum, nj\u00eb qend\u00ebr e r\u00ebnd\u00ebsishme arti n\u00eb Shqip\u00ebri n\u00eb bashk\u00ebpunim me k\u00ebt\u00eb grup t\u00eb mrekulluesh\u00ebm artist\u00ebsh dhe kurator\u00ebsh entuziast\u00eb nd\u00ebrkomb\u00ebtar\u00eb, t\u00eb cil\u00ebt kan\u00eb punuar p\u00ebr dekada p\u00ebr t\u00eb rritur nd\u00ebrgjegj\u00ebsimin e publikut mbi rolin e fotografis\u00eb sociale n\u00eb shoq\u00ebrin\u00eb ton\u00eb.<\/p>\n\n\n\n

Ekspozita shfaq se si praktikat bashk\u00ebkohore n\u00eb fotografi p\u00ebrshtaten dhe pasqyrojn\u00eb peizazhin social n\u00eb zhvillim, duke i b\u00ebr\u00eb ato mjete thelb\u00ebsore si p\u00ebr artist\u00ebt ashtu edhe p\u00ebr audienc\u00ebn n\u00eb kuptimin dhe navigimin e kompleksiteteve t\u00eb jet\u00ebs bashk\u00ebkohore. Kuruar me nj\u00eb sy dep\u00ebrtues, pavijoni paraqet trupa t\u00eb ndrysh\u00ebm punimesh q\u00eb tregojn\u00eb nj\u00eb histori unike, duke krijuar nj\u00eb p\u00ebrvoj\u00eb dinamike dhe gjith\u00ebp\u00ebrfshir\u00ebse. Pun\u00ebt e p\u00ebrzgjedhura nd\u00ebrthuren natyrsh\u00ebm p\u00ebr t\u00eb ofruar nj\u00eb eksplorim shum\u00ebfaq\u00ebsh t\u00eb temave sociale, nga betejat intime t\u00eb individ\u00ebve deri te l\u00ebvizjet m\u00eb t\u00eb gjera shoq\u00ebrore q\u00eb form\u00ebsojn\u00eb bot\u00ebn ton\u00eb.<\/p>\n\n\n\n

Shtypi rreth ekspozit\u00ebs: Pressura-2024-visual-poetry-on-social-photography<\/a><\/p>\n\n\n\n

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THE SIEGE OF SARAJEVO<\/h1>\n\n\n\n

Paul Lowe<\/h2>\n\n\n\n
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\u201cKur i shikoj k\u00ebto fotografi n\u00eb arkivin tim, \u00ebsht\u00eb e v\u00ebshtir\u00eb p\u00ebr mua t\u00eb kuptoj at\u00eb q\u00eb kemi p\u00ebrjetuar t\u00eb gjith\u00eb at\u00ebher\u00eb. Un\u00eb mendoj se \u00ebsht\u00eb shum\u00eb e r\u00ebnd\u00ebsishme p\u00ebr brezin e sot\u00ebm, p\u00ebr ata q\u00eb do t\u00eb vijn\u00eb, por edhe p\u00ebr m\u00eb t\u00eb moshuarit q\u00eb t\u00eb mos harrojn\u00eb se \u00e7far\u00eb ka ndodhur n\u00eb t\u00eb kaluar\u00ebn dhe t\u00eb mos lejojn\u00eb q\u00eb kjo t\u00eb ndodh\u00eb n\u00eb t\u00eb ardhmen,\u201d – Paul Lowe.<\/em><\/strong><\/p>\n\n\n\n

Dr. Paul Lowe<\/strong> \u00ebsht\u00eb nj\u00eb fotograf premiant dhe profesor i fotografis\u00eb n\u00eb Universitetin e Arteve n\u00eb Lond\u00ebr, si dhe Drejtues i Departamentit t\u00eb Mastrit n\u00eb Gazetari dhe Fotografi Dokumentare n\u00eb London College of Communication. Dr. Lowe \u00ebsht\u00eb gjithashtu nj\u00eb k\u00ebshilltar akademik i VII Academy dhe an\u00ebtar emeritus i agjencis\u00eb VII Photo.<\/p>\n\n\n\n

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Fotografit\u00eb e seris\u00eb \u201cRrethimi i Sarajev\u00ebs\u201d nga fotografi Paul Lowe d\u00ebshmojn\u00eb p\u00ebr p\u00ebrditshm\u00ebrin\u00eb e tmerrshme t\u00eb qytetar\u00ebve t\u00eb Sarajev\u00ebs, por gjithashtu edhe p\u00ebr shpirtin e rezistenc\u00ebs. Rrethimi i Sarajev\u00ebs, rrethimi m\u00eb i gjat\u00eb i nj\u00eb kryeqyteti n\u00eb historin\u00eb moderne, filloi n\u00eb prill t\u00eb vitit 1992 dhe p\u00ebrfundoi n\u00eb shkurt t\u00eb vitit 1996. Pasojat e rrethimit jan\u00eb: mbi 10,000 t\u00eb vrar\u00eb, mbi 60,000 t\u00eb plagosur dhe mbi 500 f\u00ebmij\u00eb t\u00eb vrar\u00eb. \u00c7do i pesti qytetar i Sarajev\u00ebs ishte n\u00eb rrezik nga snajper\u00ebt ose nga ndonj\u00eb arm\u00eb tjet\u00ebr.<\/p>\n\n\n\n

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Sh\u00ebnim: Fotografit\u00eb: Paul Lowe\/VII Photo. “THE SIEGE” u hap m\u00eb 4 prill 2022 n\u00eb Sarajev\u00eb gjat\u00eb sh\u00ebnimit t\u00eb 30-vjetorit t\u00eb Rrethimit t\u00eb Sarajev\u00ebs, dhe n\u00eb Beograd m\u00eb 12 prill p\u00ebr t\u00eb nj\u00ebjtin rast. Ekspozuar gjithashtu n\u00eb Kosov\u00eb, n\u00eb nj\u00eb ekspozit\u00eb mbres\u00ebl\u00ebn\u00ebse n\u00eb ambient t\u00eb hapur n\u00eb Sheshin Kryesor “Zahir Pajaziti” gjat\u00eb Fotoist International Festival, gusht-shtator 2023.<\/p>\n\n\n\n

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Shtypi rreth ekspozit\u00ebs: Exhibition | Visual Poetry on Social Photography | Paul Lowe, Seamus Murphy, P.J. Harvey, Burim Myftiu, Belvis Fusha, Fabrizio Bellomo<\/a><\/p>\n\n\n\n

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THE HOLLOW OF THE HAND<\/h1>\n\n\n\n

Seamus Murphy & P. J. Harvey<\/h2>\n\n\n\n
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Nga viti 2011 deri n\u00eb vitin 2014, k\u00ebng\u00ebtarja\/ autorja\/kompozitorja PJ Harvey dhe fotografi Seamus Murphy udh\u00ebtuan n\u00ebp\u00ebr Kosov\u00eb, Afganistan dhe Uashington, D.C., duke vazhduar nj\u00eb bashk\u00ebpunim t\u00eb nisur me albumin Let England Shake. Atje Seamus Murphy mblodhi imazhe (foto dhe video) t\u00eb sh\u00ebnuara nga nj\u00eb estetik\u00eb e zhvilluar q\u00eb nga vitet 1990 n\u00eb pun\u00ebn e tij si fotoreporter; PJ Harvey mblodhi fjal\u00eb q\u00eb do t\u00eb ushqenin poezi dhe k\u00ebng\u00eb. Ata transkriptuan nd\u00ebrlidhjet e ndjeshme midis territoreve, imazheve dhe poezive n\u00eb nj\u00eb publikim ambicioz, The Hollow of the Hand. Kosova e pasluft\u00ebs, me fshatrat e saj t\u00eb braktisur dhe t\u00eb zbraz\u00ebt; Afganistani n\u00eb nj\u00eb gjendje konflikti t\u00eb p\u00ebrhersh\u00ebm; Uashingtoni, me lagjet e tij q\u00eb evokojn\u00eb ndryshe vendet simbolike t\u00eb pushtetit ose bot\u00ebn e n\u00ebndheshme t\u00eb nj\u00eb shoq\u00ebrie t\u00eb thyer: Seamus Murphy dhe PJ Harvey ekzaminojn\u00eb tensionin dhe dhun\u00ebn e mbytur, por edhe imanenc\u00ebn e huaj dhe trondit\u00ebse t\u00eb s\u00eb p\u00ebrditshmes.<\/p>\n\n\n\n

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Seamus Murphy & P. J. Harvey shkojn\u00eb p\u00ebrtej raportimit t\u00eb thjesht\u00eb; ata i vendosin konfliktet n\u00eb nj\u00eb kontekst, sa t\u00eb gjer\u00eb aq edhe t\u00eb shum\u00ebllojsh\u00ebm, i cili p\u00ebrfshin regjistrimin e realitetit, p\u00ebrfaq\u00ebsimin e tij dhe vendosjen e tij n\u00eb perspektiv\u00eb p\u00ebrmes teksteve poetike. K\u00ebto poezi, foto dhe filma nuk kufizohen kurr\u00eb n\u00eb nj\u00eb rol fjal\u00ebp\u00ebrfjalsh\u00ebm, ilustrues. Ato jan\u00eb forma t\u00eb shum\u00ebfishta, dimensionale q\u00eb burojn\u00eb nga nj\u00eb rrug\u00eb e vetme, nj\u00eb udh\u00ebtim i vet\u00ebm. Ato jan\u00eb gjeste, m\u00ebnyra t\u00eb eksplorimit t\u00eb realiteti, t\u00eb p\u00ebrjetimit dhe performimit t\u00eb tij, me q\u00ebllim p\u00ebr ta ndar\u00eb at\u00eb me an\u00ebn tjet\u00ebr t\u00eb bot\u00ebs.<\/p>\n\n\n\n

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Seamus Murphy<\/h2>\n\n\n\n
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Lindur n\u00eb vitin 1959 n\u00eb Mbret\u00ebrin\u00eb e Bashkuar Seamus Murphy jeton dhe punon n\u00eb Lond\u00ebr, Mbret\u00ebria e Bashkuar. Ai ka marr\u00eb shtat\u00eb \u00e7mime World Press Photo p\u00ebr pun\u00ebn e tij dhe nj\u00eb nominim p\u00ebr Pulitzer. Duke p\u00ebrdorur imazhe statike dhe l\u00ebviz\u00ebse, ai dokumenton jet\u00ebn dhe ndryshimet e saj n\u00eb mbar\u00eb bot\u00ebn.<\/p>\n\n\n\n

Ai \u00ebsht\u00eb fitues i shtat\u00ebfisht\u00eb i \u00e7mimit World Press Photo p\u00ebr pun\u00ebn e tij n\u00eb t\u00eb gjith\u00eb bot\u00ebn. Studimi i tij mbi afgan\u00ebt, i ndjekur p\u00ebr mbi nj\u00eb dekad\u00eb, u botua n\u00eb “A Darkness Visible: Afghanistan”. P\u00ebrshtatja e tij filmike e k\u00ebtij libri ka fituar shum\u00eb \u00e7mime. <\/p>\n\n\n\n

N\u00eb vitin 2011 ai b\u00ebri dymb\u00ebdhjet\u00eb filma t\u00eb shkurt\u00ebr p\u00ebr t\u00eb shoq\u00ebruar albumin e PJ Harvey, Let England Shake.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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P. J. Harvey<\/h2>\n\n\n\n
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Lindur m\u00eb 1969 n\u00eb Mbret\u00ebrin\u00eb e Bashkuar, PJ Harvey jeton dhe punon n\u00eb Mbret\u00ebrin\u00eb e Bashkuar. Ajo ka lan\u00e7uar n\u00ebnt\u00eb albume t\u00eb vler\u00ebsuara nga kritika, \u00ebsht\u00eb nominuar p\u00ebr gjasht\u00eb \u00e7mime Grammy, dhe \u00ebsht\u00eb artistja e vetme q\u00eb \u00ebsht\u00eb vler\u00ebsuar dy her\u00eb me \u00e7mimin prestigjioz Mercury n\u00eb Britanin\u00eb e Madhe (p\u00ebr albumet e saj Stories from the City, Stories from The Sea dhe Let England Shake).<\/p>\n\n\n\n

Albumi i saj i ri The Hope Six Demolition Project, i lan\u00e7uar n\u00eb prill, arriti numrin nj\u00eb n\u00eb UK Album Charts. N\u00eb vitin 2013, Harvey u nderua me nj\u00eb MBE p\u00ebr sh\u00ebrbimet ndaj muzik\u00ebs. The Hollow of the Hand \u00ebsht\u00eb p\u00ebrmbledhja e saj e par\u00eb e botuar me poezi.<\/p>\n<\/div>\n\n\n\n

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ORDINARY SAINTS<\/h1>\n\n\n\n

Burim Myftiu<\/h2>\n\n\n\n
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Burimi \u00ebsht\u00eb nj\u00eb fotograf bashk\u00ebkohor shqiptaro- amerikan. Lindur m\u00eb 1961 n\u00eb Prizren, ai jeton dhe punon mes Prishtin\u00ebs (KS) dhe Konektikatit (SHBA). Ai mban nj\u00eb grad\u00eb Master n\u00eb Artet Vizuale pasi fillimisht studioi Gjuh\u00ebsi n\u00eb Universitetin e Prishtin\u00ebs (KS). Ai filloi t\u00eb fotografonte n\u00eb fillim t\u00eb viteve 1980, m\u00eb von\u00eb u specializua n\u00eb fotografin\u00eb komerciale n\u00eb Nju Jork. M\u00eb 2003, ai themeloi PACK (Kolektivi i Arteve Fotografike t\u00eb Kosov\u00ebs). Myftiu \u00ebsht\u00eb bashk\u00ebthemelues dhe drejtor i Dokufest (Festivali Nd\u00ebrkomb\u00ebtar i Filmit Dokumentar dhe t\u00eb Shkurt\u00ebr). Ai \u00ebsht\u00eb kurator i Ekspozit\u00ebs Nd\u00ebrkomb\u00ebtare t\u00eb Fotografis\u00eb, “\u00c7mimi Gjon Mili” n\u00eb Galerin\u00eb Komb\u00ebtare t\u00eb Arteve n\u00eb Prishtin\u00eb, Kosov\u00eb. Ai \u00ebsht\u00eb themelues i agjencis\u00eb fotografike Kosova Images, dhe ka sh\u00ebrbyer si oficer nd\u00ebrlidh\u00ebs rajonal i F\u00e9d\u00e9ration Internationale de l’Art Photographique (FIAP). Ai u em\u00ebrua Ambasador Kulturor p\u00ebr Komisionin Evropian n\u00eb vitin 2016. Ai \u00ebsht\u00eb an\u00ebtar i K\u00ebshillit t\u00eb Arteve t\u00eb New Haven n\u00eb Konektikat. Aktualisht, ai \u00ebsht\u00eb themeluesi i Festivalit Nd\u00ebrkomb\u00ebtar t\u00eb Fotografis\u00eb Fotoist.<\/p>\n\n\n\n

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\u201cSaints\u201d synon t\u00eb nxis\u00eb reflektimin mbi aktet e madh\u00ebshtis\u00eb, shpesh t\u00eb anashkaluara, q\u00eb ndodhin n\u00eb jet\u00ebn ton\u00eb t\u00eb p\u00ebrditshme. Duke theksuar k\u00ebto histori, projekti inkurajon shikuesit t\u00eb njohin dhe t\u00eb festojn\u00eb potencialin e jasht\u00ebzakonsh\u00ebm brenda t\u00eb gjith\u00eb neve. Ai sh\u00ebrben si nj\u00eb kujtes\u00eb se heroizmi dhe shenjt\u00ebria nuk jan\u00eb t\u00eb kufizuara vet\u00ebm n\u00eb faqet e historis\u00eb apo n\u00eb ekranet e kinemas\u00eb, por jan\u00eb t\u00eb pranishme te njer\u00ebzit q\u00eb takojm\u00eb \u00e7do dit\u00eb. Si shenjtor\u00ebt e vjet\u00ebr, k\u00ebta individ\u00eb po luftojn\u00eb p\u00ebr t\u00eb ndryshuar bot\u00ebn, duke d\u00ebshmuar se njer\u00ebzit e thjesht\u00eb kan\u00eb fuqin\u00eb t\u00eb b\u00ebjn\u00eb nj\u00eb ndryshim t\u00eb jasht\u00ebzakonsh\u00ebm.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\u201cOrdinary Saints\u201d \u00ebsht\u00eb nj\u00eb projekt bashk\u00ebkohor fotografie q\u00eb ndri\u00e7on ndikimin e thell\u00eb t\u00eb individ\u00ebve t\u00eb p\u00ebrditsh\u00ebm t\u00eb cil\u00ebt kan\u00eb arritur b\u00ebma t\u00eb jasht\u00ebzakonshme ose jan\u00eb gjendur n\u00eb rrethana t\u00eb jasht\u00ebzakonshme. P\u00ebrmes nj\u00eb serie portretesh intime dhe t\u00eb fuqishme, ky projekt kap esenc\u00ebn e k\u00ebtyre heronjve t\u00eb dit\u00ebve moderne, secili me nj\u00eb histori t\u00eb jasht\u00ebzakonshme p\u00ebr t\u00eb treguar. \u00cbsht\u00eb nj\u00eb kremtim i q\u00ebndrueshm\u00ebris\u00eb, guximit, dhembshuris\u00eb dhe fuqis\u00eb transformuese t\u00eb njer\u00ebzve t\u00eb thjesht\u00eb.<\/p>\n<\/div>\n\n\n\n

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Duke paraqitur individ\u00eb t\u00eb cil\u00ebt kan\u00eb kryer akte trim\u00ebrie ose mir\u00ebsie n\u00eb rutinat e tyre t\u00eb p\u00ebrditshme ose q\u00eb jan\u00eb gjendur n\u00eb situata t\u00eb pazakonta ose ekstreme dhe jan\u00eb p\u00ebrgjigjur me fuqi t\u00eb jasht\u00ebzakonshme. Duke v\u00ebn\u00eb n\u00eb pah sakrificat e qeta, shpesh t\u00eb pamashuara, t\u00eb b\u00ebra nga individ\u00ebt n\u00eb dobi t\u00eb t\u00eb tjer\u00ebve ose individ\u00ebve t\u00eb cil\u00ebt kan\u00eb dh\u00ebn\u00eb kontribute t\u00eb r\u00ebnd\u00ebsishme pa k\u00ebrkuar mir\u00ebnjohje. <\/p>\n\n\n\n

\u201cShenjtor\u00ebt\u201d jan\u00eb individ\u00eb si ne, t\u00eb cil\u00ebt p\u00ebrpiqen t\u00eb ndryshojn\u00eb bot\u00ebn n\u00eb m\u00ebnyrat e tyre unike.<\/strong><\/p>\n\n\n\n

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Tekst nga Shk\u00eblzen Maliqi<\/strong><\/p>\n\n\n\n

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TERMINAL SPIRIT DISEASE<\/h1>\n\n\n\n

Bevis Fusha<\/h2>\n\n\n\n
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Lindur n\u00eb Tiran\u00eb n\u00eb vitin 1976, Bevis Fusha \u00ebsht\u00eb diplomuar n\u00eb Filozofi dhe Sociologji n\u00eb Universitetin e Tiran\u00ebs ku ai \u00ebsht\u00eb gjithashtu lektor i fotografis\u00eb n\u00eb Departamentin e Gazetaris\u00eb, si dhe nj\u00eb nga fotograf\u00ebt dhe artist\u00ebt vizual\u00eb m\u00eb t\u00eb njohur n\u00eb Shqip\u00ebri. I mpreht\u00eb me imazhin, por shum\u00eb i ndjesh\u00ebm ndaj ndjenj\u00ebs q\u00eb ai p\u00ebrcjell, i p\u00ebrfshir\u00eb n\u00eb fotoreportazhe dhe n\u00eb botime komb\u00ebtare e nd\u00ebrkomb\u00ebtare, ai vazhdon misionin e tij p\u00ebr t\u00eb dokumentuar gjithmon\u00eb ndryshimet sociale n\u00eb Shqip\u00ebri.<\/p>\n\n\n\n

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Ky projekt fokusohet n\u00eb sken\u00ebn dhe komunitetin Black dhe Death Metal. M\u00eb konkretisht, n\u00eb zem\u00ebr t\u00eb k\u00ebtij koleksioni \u00ebsht\u00eb nj\u00eb p\u00ebrpjekje p\u00ebr t\u00eb p\u00ebrcjell\u00eb dhe interpretuar stilin e jetes\u00ebs me t\u00eb cilin fansi \u00ebsht\u00eb p\u00ebrshtatur dhe marr\u00ebdh\u00ebnien e tyre t\u00eb ngusht\u00eb me muzik\u00ebn. Ndon\u00ebse nuk ka origjin\u00eb ballkanike dhe \u00ebsht\u00eb nj\u00eb shije e fituar, ky zhan\u00ebr specifik \u00ebsht\u00eb i pranuar gjer\u00ebsisht n\u00eb mbar\u00eb globin dhe ka ndikuar ve\u00e7an\u00ebrisht muzikant\u00ebt metal n\u00eb Ballkan.<\/p>\n\n\n\n

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ANULLOJE LIGJIN<\/h1>\n\n\n\n

Fabrizio Bellomo<\/h2>\n\n\n\n
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Fabrizio Bellomo (Bari, 1982), \u00ebsht\u00eb nj\u00eb artist multidisiplinar, regjisor, kurator dhe shkrimtar q\u00eb e kryen k\u00ebrkimin e tij n\u00eb nj\u00eb m\u00ebnyr\u00eb hibride dhe eksperimentale. Qasja e tij ndaj artit \u00ebsht\u00eb e gjer\u00eb: ai punon me material arkivor dhe historik, video dhe instalacione publike. Arti i tij kalon mes bot\u00ebs reale dhe asaj digjitale. Veprat e tij jan\u00eb ekspozuar n\u00eb ekspozita personale dhe kolektive, p\u00ebrmes projekteve publike, festivaleve t\u00eb filmit dhe prezantimeve.<\/p>\n\n\n\n

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Nj\u00eb “road-movie” rreth hap\u00ebsir\u00ebs dhe koh\u00ebs s\u00eb vendit shqiptar. P\u00ebrmes dhe mes tij. Nj\u00eb portret i periudh\u00ebs s\u00eb famshme t\u00eb quajtur “procesi i tranzicionit”: nga monumentet socialiste te rrokaqiejt, nga flamujt e kuq te perandoria e re e gjelb\u00ebr\u2026 Ku dhe \u00e7far\u00eb po b\u00ebhen sot monumentet e vjetra socialiste shqiptare? Dhe pas ndryshimit t\u00eb sistemit, tani, cil\u00ebt jan\u00eb monumentet e ngritura gjat\u00eb k\u00ebsaj ere t\u00eb re neoliberale dhe turbo- kapitaliste?<\/p>\n\n\n\n

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Foto nga hapja e ekspozit\u00ebs:<\/em><\/p>\n\n\n<\/div>\n\n\n

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Shih edhe:<\/p>\n\n\n\n

PRESSURA 2024 – N\u00eb nderim t\u00eb Paul Lowe<\/strong><\/a><\/p>\n\n\n\n

PRESSURA IS BACK<\/strong><\/a><\/p>\n\n\n\n

PRESSURA 2023<\/strong><\/a><\/p>\n\n\n\n

PRESSURA<\/strong><\/a><\/p>\n\n\n\n

PRESSURA 2025<\/a><\/strong><\/p>\n\n\n\n

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Mbulimi mediatik:<\/p>\n\n\n\n

Pressura-2024-visual-poetry-on-social-photography<\/a><\/p>\n\n\n\n

Exhibition | Visual Poetry on Social Photography | Paul Lowe, Seamus Murphy, P.J. Harvey, Burim Myftiu, Belvis Fusha, Fabrizio Bellomo<\/a><\/p>\n\n\n\n

N\u00ebn kujdesin e fondacioni Mane, hapet n\u00eb galerin\u00eb \u2018Gocat\u2019 ekspozita, \u201cPoezi Vizuale mbi Fotografin\u00eb Sociale\u201d<\/a><\/p>\n\n\n\n

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#PRESSURA 2024<\/a>\/PRESSURA IS BACK<\/a>\/PRESSURA 2023<\/a>\/PRESSURA<\/a>\/PRESSURA 2025<\/a><\/em><\/p>\n\n\n\n

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Kjo ekspozit\u00eb hedh drit\u00eb mbi pabarazin\u00eb, padrejt\u00ebsin\u00eb dhe q\u00ebndrueshm\u00ebrin\u00eb, duke ofruar nj\u00eb v\u00ebshtrim intim mbi jet\u00ebt e l\u00ebna pas dore p\u00ebrmes nj\u00eb eksplorimi t\u00eb sakt\u00eb t\u00eb q\u00ebndrueshm\u00ebris\u00eb njer\u00ebzore dhe k\u00ebrkimit t\u00eb kuptimit mes fatkeq\u00ebsive<\/p>","protected":false},"author":27,"featured_media":4175,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13,16],"tags":[],"class_list":["post-4174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-exhibition"],"acf":[],"yoast_head":"\nPRESSURA 2024 - Ejalbum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ejalbum.com\/sq\/pressura-2024\/\" \/>\n<meta property=\"og:locale\" content=\"sq_AL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PRESSURA 2024\" \/>\n<meta property=\"og:description\" content=\"Kjo ekspozit\u00eb hedh drit\u00eb mbi pabarazin\u00eb, padrejt\u00ebsin\u00eb dhe q\u00ebndrueshm\u00ebrin\u00eb, duke ofruar nj\u00eb v\u00ebshtrim intim mbi jet\u00ebt e l\u00ebna pas dore p\u00ebrmes nj\u00eb eksplorimi t\u00eb sakt\u00eb t\u00eb q\u00ebndrueshm\u00ebris\u00eb njer\u00ebzore dhe k\u00ebrkimit t\u00eb kuptimit mes fatkeq\u00ebsive\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ejalbum.com\/sq\/pressura-2024\/\" \/>\n<meta property=\"og:site_name\" content=\"Ejalbum\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/EJAlbum\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-03T23:04:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-27T10:02:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ejalbum.com\/wp-content\/uploads\/2026\/02\/Pressura-Poster-Design-E-SAKTE-01-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Merisa Hasrama\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Merisa Hasrama\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minuta\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ejalbum.com\\\/pressura-2024\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ejalbum.com\\\/pressura-2024\\\/\"},\"author\":{\"name\":\"Merisa Hasrama\",\"@id\":\"https:\\\/\\\/ejalbum.com\\\/#\\\/schema\\\/person\\\/7f8b931faa8c2e96d5ea96c19637ec12\"},\"headline\":\"PRESSURA 2024\",\"datePublished\":\"2024-09-03T23:04:00+00:00\",\"dateModified\":\"2026-02-27T10:02:43+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/ejalbum.com\\\/pressura-2024\\\/\"},\"wordCount\":2477,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/ejalbum.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/ejalbum.com\\\/pressura-2024\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ejalbum.com\\\/wp-content\\\/uploads\\\/2026\\\/02\\\/Pressura-Poster-Design-E-SAKTE-01-scaled.jpg\",\"articleSection\":[\"Blog\",\"exhibition\"],\"inLanguage\":\"sq\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/ejalbum.com\\\/pressura-2024\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/ejalbum.com\\\/pressura-2024\\\/\",\"url\":\"https:\\\/\\\/ejalbum.com\\\/pressura-2024\\\/\",\"name\":\"PRESSURA 2024 - 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